Production
The Seattle Center, including the Seattle Center Monorail and the Space Needle, serve as backdrops for several scenes in the film. Security officers pursue Presley and the girl through the fountains at what is now the Pacific Science Center. The hitchhiking scene with Elvis and Gary Lockwood was filmed near Camarillo, California. as were some of the flying scenes. The entire hitchhiking scene to the point where they are both picked up by Kam Tong and Vicky Tiu Cayetano in the truck is easily recognizable as 5th Street near Pleasant Valley Road on the South side of Camarillo.
While The Elvis Encyclopedia believes that the Wilburton Trestle was shown in the movie, further evidence points to a different location. It is actually a trestle over the White River between Enumclaw and Buckley, now demolished. The view in the movie was taken at the intersection of Mud Mountain Road and Highway 410, looking southeasterly. You can see Mount Rainier in the background, which you can't see at this angle from the Wilburton Trestle. The Wilburton Trestle is actually bigger than the White River Trestle, at six sections high. The trestle pictured in the movie is only four sections high at the road crossing.
Read more about this topic: It Happened At The World's Fair
Famous quotes containing the word production:
“Perestroika basically is creating material incentives for the individual. Some of the comrades deny that, but I can’t see it any other way. In that sense human nature kinda goes backwards. It’s a step backwards. You have to realize the people weren’t quite ready for a socialist production system.”
—Gus Hall (b. 1910)
“... this dream that men shall cease to waste strength in competition and shall come to pool their powers of production is coming to pass all over the earth.”
—Jane Addams (1860–1935)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)