Culture
Main article: Culture of Puerto Rico See also: Cuisine of Puerto Rico and Music of Puerto RicoModern Puerto Rican culture is a unique mix of cultural antecedents, including Taíno (Amerindians), Spanish, African, European and more recently, North American.
From the Spanish, Puerto Rico received the Spanish language, the Catholic religion and the vast majority of their cultural and moral values and traditions. The United States added English language influence, the university system and the adoption of some holidays and practices. On March 12 1903, the University of Puerto Rico was officially founded, branching out from the "Escuela Normal Industrial", a smaller organism that was founded in Fajardo three years before.
Much of Puerto Rican culture centers on the influence of music. Like the country as a whole, Puerto Rican music has been developed by other cultures combining with local and traditional rhythms. Early in the history of Puerto Rican music, the influences of Spanish and African traditions were most noticeable. The cultural movements across the Caribbean and North America have played a vital role in the more recent musical influences that have reached Puerto Rico.
The official symbols of Puerto Rico are the Reinita mora or Puerto Rican Spindalis (a type of bird), the Flor de Maga (a type of flower), and the Ceiba or Kapok (a type of tree). The unofficial animal and a symbol of Puerto Rican pride is the Coquí, a small frog. Other popular symbols of Puerto Rico are the jíbaro (the "countryman"), and the carite.
Read more about this topic: Island Of Enchantment
Famous quotes containing the word culture:
“When we want culture more than potatoes, and illumination more than sugar-plums, then the great resources of a world are taxed and drawn out, and the result, or staple production, is, not slaves, nor operatives, but men,—those rare fruits called heroes, saints, poets, philosophers, and redeemers.”
—Henry David Thoreau (1817–1862)
“We do not need to minimize the poverty of the ghetto or the suffering inflicted by whites on blacks in order to see that the increasingly dangerous and unpredictable conditions of middle- class life have given rise to similar strategies for survival. Indeed the attraction of black culture for disaffected whites suggests that black culture now speaks to a general condition.”
—Christopher Lasch (b. 1932)
“Insolent youth rides, now, in the whirlwind. For those modern iconoclasts who are without culture possess, apparently, all the courage.”
—Ellen Glasgow (1873–1945)