The Film Director
Bernal directed and wrote his first film, Pagdating Sa Dulo (At The Top), in 1971. In this film we catch a glimpse into what Ishmael Bernal's ouvre would prefigure for the industry: it is a scene showing an aspiring actress (played by the late Rita Gomez) pondering on dreams blooming in deserts of desolation and dying out in a mirage that painfully conjures images of squatter colonies and sordid lives. The bold star stares out into the landscape and scans it, with the camera acting as her surrogate, but finally framing her against the embarrassingly majestic Cultural Center of the Philippines. The scene captures it all: the decadence of the Martial Law regime, along with its perverse aspirations to art, has doomed the destinies of Filipinos. From that time on, Bernal was established as an innovative and intelligent filmmaker who would not be content with conventional formulas of local film making. Under his name is a broad range of film genres and themes: historical dramas like El Vibora (The Viper), and the Bonifacio episode in the unreleased Lahing Pilipino (The Filipino Race); sophisticated comedies like Tisoy (Mestizo), Pabling (Playboy), Working Girls I and Working Girls II; experimental films like Nunal Sa Tubig (Speck In The Water) and Himala (Miracle); and contemporary dramas exploring human psyches and social relationships, such as Ligaw Na Bulaklak (Wildflower), Mister Mo, Lover Boy Ko (Your Husband, My Lover), Ikaw Ay Akin (You Are Mine), Relasyon (The Affair), Aliw (Pleasure) and the film classic Manila By Night (or City After Dark). His sturdy filmography is mainly clustered around the themes and problems that inevitably encrust the "social" as the core of personal malaise.
Bernal considered himself a feminist director and admitted that it was part of his interest to tackle issues affecting women. A significant part of his work is stories about and for women. For example, Relasyon, Hinugot Sa Langit (1985), and Working Girls. Before Bernal died in Quezon City on 2 June 1996, he was scheduled to direct a film about the life story of Lola Rosa Henson, the comfort woman during the Japanese invasion of the Philippines.
Read more about this topic: Ishmael Bernal
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