Isabella Bird - Later Years

Later Years

Arriving on the subcontinent in February 1889, Bird visited missions in India, crossed Tibet, and then travelled in Persia, Kurdistan and Turkey. The following year she joined a group of British soldiers travelling between Baghdad and Tehran. She remained with the unit's commanding officer during his survey work in the region, armed with her revolver and a medicine chest supplied – in possibly an early example of corporate sponsorship – by Henry Wellcome's company in London.

Featured in journals and magazines for decades, Bird was by now something of a household name. In 1892, she became the first woman inducted into the Royal Geographical Society. She was elected to membership of the Royal Photographic Society on 12 January 1897. Her final great journey took place in 1897 where she travelled up the Yangtze and Han rivers which are in China and Korea, respectively. Later still, she went to Morocco, where she travelled among the Berbers and had to use a ladder to mount her black stallion, a gift from the Sultan. She died in Edinburgh within a few months of her return in 1904, just shy of her seventy-third birthday. She was still planning another trip to China.

"There never was anybody," wrote the Spectator, "who had adventures as well as Miss Bird." In 1982, Caryl Churchill used her as a character in her play Top Girls. Much of the dialogue written by Churchill comes from Bird's own writings.

In 2006, Bird was featured in Bedrock: Writers on the Wonders of Geology edited by Lauret E. Savoy, Eldridge M. Moores, and Judith E. Moores (Trinity University Press) which looks at writing over the years and how it pays tribute to the Earth and its geological features.

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Famous quotes containing the word years:

    I, who cannot stay in my chamber for a single day without acquiring some rust,... confess that I am astonished at the power of endurance, to say nothing of the moral insensibility, of my neighbors who confine themselves to shops and offices the whole day for weeks and months, aye, and years almost together. I know not what manner of stuff they are of,—sitting there now at three o’clock in the afternoon, as if it were three o’clock in the morning.
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