Early Success
Born in 1790 in the English city of Canterbury to a hazzan (Jewish cantor) of Polish birth, Menahem Monash "Polack" (the Pole) and his English Jewish wife, Isaac Nathan was initially destined for his father's career and went to the school of Solomon Lyon in Cambridge. Showing an enthusiasm for music, he was apprenticed to the London music publisher Domenico Corri. He also claimed to have had five years of voice lessons with Corri, who had studied with Nicola Porpora. In 1813 he conceived the idea of publishing settings of tunes from synagogue usage and persuaded Lord Byron to provide the words for these. The result was the poet's famous Hebrew Melodies. Nathan's setting of these remained in print for most of the century.
The Hebrew Melodies used, for the most part, melodies from the synagogue service, though few if any of these were in fact handed down from the ancient service of the Temple in Jerusalem, as Nathan claimed. Many were European folk-tunes that had become absorbed into the synagogue service over the centuries with new texts (contrafacta). However they were the first attempt to set out the traditional music of the synagogue, with which Nathan was well acquainted through his upbringing, before the general public. To assist sales, Nathan recruited the famous Jewish singer John Braham to place his name on the title page, in return for a share of profits, although Braham in fact took no part in the creation of the Melodies.
The success of the Melodies gave Nathan some fame and notoriety. Nathan was later to claim that he had been appointed as singing teacher to the Princess Royal, Princess Charlotte, and music librarian to the Prince Regent, later George IV. There is no evidence for this, although his edition of the Hebrew Melodies was dedicated to the Princess by royal permission.
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