Isaac Brock (musician) - Early Life

Early Life

Isaac was born in Helena, Montana. During his childhood, Brock and his mother and sister lived in Montana and Oregon in hippie communes and churches before moving to Issaquah, Washington when Isaac was 11 years old. Brock was home-schooled for part of his school career. When his mother's house flooded three times, she was forced to move in to her future husband's trailer. Brock asked to stay behind in his own room until the new home was completed. He lived in the flooded home until the house was sold. After a short period of living in a friend's basement, he moved into the "Shed" built on the land next to his mother and stepfather's trailer. He was raised Evangelical.

In 1992, when he was sixteen, Brock moved to D.C. for the summer where he met his girlfriend. Brock traveled back and forth from the East Coast to Issaquah, where he took a community-college course to get his high school diploma before moving back to D.C. and to New York's East Village. He earned a living cleaning out meat trucks, posing as a nude model for art classes and taking part in medical experiments, before eventually landing in the Seattle area. It was there that he, Eric Judy (bass) and Jeremiah Green (drums) first started practicing music together in the Shed.

Read more about this topic:  Isaac Brock (musician)

Famous quotes containing the words early life, early and/or life:

    “... goodness is of a modest nature, easily discouraged, and when much elbowed in early life by unabashed vices, is apt to retire into extreme privacy, so that it is more easily believed in by those who construct a selfish old gentleman theoretically, than by those who form the narrower judgments based on his personal acquaintance.”
    —George Eliot [Mary Ann (or Marian)

    “We have been told over and over about the importance of bonding to our children. Rarely do we hear about the skill of letting go, or, as one parent said, “that we raise our children to leave us.” Early childhood, as our kids gain skills and eagerly want some distance from us, is a time to build a kind of adult-child balance which permits both of us room.”
    —Joan Sheingold Ditzion (20th century)

    ““Maman”, said Annaïse, her voice strangely weak. “Here is the water.”
    A thin blade of silver came forward in the plain and the peasants ran alongside it, crying and singing.
    ...
    “Oh, Manuel, Manuel, why are you dead?” moaned Délira.
    “No”, said Annaïse, and she smiled through her tears, “no, he is not dead”.
    She took the old woman’s hand and pressed gently against her belly where new life stirred.”
    —Jacques Roumain (1907–1945)