Etymology and Taxonomic History
The Irrawaddy dolphin was first described by Sir Richard Owen in 1866 based on a specimen found in 1852, in the harbour of Visakhapatnam on the east coast of India. It is one of two species in its genus. It has sometimes been listed variously in a family containing just itself and in Monodontidae and in Delphinapteridae. There is now widespread agreement to list it in the Delphinidae family.
Genetically, the Irrawaddy dolphin is closely related to the killer whale (orca). The species name brevirostris comes from the Latin meaning short-beaked. In 2005, genetic analysis showed the Australian snubfin dolphin found at the coast of northern Australia forms a second species in the Orcaella genus.
Overall, the dolphins' color is grey to dark slate blue, paler underneath, with no distinctive pattern. The dorsal fin is small and rounded behind the middle of the back. The forehead is high and rounded; the beak is lacking. The flippers are broad and rounded. The species found in Borneo, the finless porpoise, Neophocaena phocaenoides, is similar and has no back fin; the humpback dolphin, Sausa chinensis, is larger, has a longer beak and a larger dorsal fin.
Vernacular names for O. brevirostris include the following.
- Burmese: labai
- Chilika dialect: baslnyya magar or bhuasuni magar (lit. oil-yielding dolphin)
- Filipino: lampasut
- Indonesia: pesut
- Khmer: ផ្សោត ph’sout
- Lao: pha’ka
- Oriya: khem or khera
- Thai: pla loma hua bat ("alms-bowl dolphin", due to the shape of their head)
Read more about this topic: Irrawaddy Dolphin
Famous quotes containing the words etymology and/or history:
“The universal principle of etymology in all languages: words are carried over from bodies and from the properties of bodies to express the things of the mind and spirit. The order of ideas must follow the order of things.”
—Giambattista Vico (16881744)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernisms high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)