Production
The idea for the film was born out of an attempted collaboration between Assayas, Claire Denis, and Atom Egoyan, who wanted to experiment with the situation of a foreigner in Paris. In the 1915 original serial, written and directed by Louis Feuillade, Irma Vep was played by French silent film actress Musidora (1889–1957). Much of the film depicts set-related incidents that echo scenes in Truffaut's La nuit americaine (English title: Day for night), to which Irma Vep owes a large thematic debt.
However, Assayas has publicly stated that although he considers La nuit americaine a great film, it is more about the fantasy of filmmaking than the reality. Assayas credits Rainer Werner Fassbinder's Beware of a Holy Whore as a much greater inspiration.
Assayas married Cheung in 1998. They divorced in 2001. They again collaborated in 2004 on the film Clean.
Read more about this topic: Irma Vep
Famous quotes containing the word production:
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)