Origins of The Office
In 1392, King Richard II of England created the first in a succession of Ireland kings of arms. It is unknown why such an office was called into being. Froissart notes the creation of Chandos le Roy d'Ireland, but does not give any clues as to the reasoning. It does, however, fit into the general English policy in Ireland at the time. Richard II sought to re-establish English control in those areas where the native Irish had reasserted their independence. The appointment can be seen as a necessary part of the preparations for the appointment of the Duke of Gloucester as Lord Lieutenant of Ireland in 1392. Richard intended Gloucester to lead a major military campaign, and such a campaign would have necessitated the involvement of heralds to marshal arms and provide advice and evidence in case of heraldic disputes.
Richard and Gloucester's campaign of 1392 never happened, but Richard did leave for Ireland in 1394 with a large army, accompanied by John Othelake, who had succeeded Chandos as Ireland King of Arms in 1393. No details are given of Othelake's career as Ireland King of Arms, although he certainly had a connection with Ireland as an officer of arms to the Earl of March in 1381. The historical evidence does not even make clear how long Othelake served in the position.
It is clear that Othelake was no longer enjoying the office by 1420. By this time, John Kitley had been appointed to the post, though the exact date of his appointment is unknown. He was appointed by King Henry V of England on the insistence of the Earl of Ormonde. There is no evidence to suggest that Kitley had any connection to Ireland, or even that he visited it, but his connection to Earl of Ormonde is interesting. Kitley was succeeded by Thomas Collyer, who had previously served as Clarenceux King of Arms and Lancaster Herald of Arms in Ordinary. Nothing is known of his career as Ireland, and he was succeeded by Thomas Ashwell.
Read more about this topic: Ireland King Of Arms
Famous quotes containing the words origins of, origins and/or office:
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“A tremendous number of people in America work very hard at something that bores them. Even a rich man thinks he has to go down to the office every day. Not because he likes it but because he can’t think of anything else to do.”
—W.H. (Wystan Hugh)