Style
Internet Invention is roughly divided into four sections, each one covering one of the four discourses. Each chapter is further divided into smaller topics that loosely build upon each other with a series of concepts, examples, and exercises for the reader. Keeping in line with the concept of electracy, Ulmer borrows concepts and terms from many different sources to describe his ideas, although the background information describing these terms is often kept to a bare minimum or absent. Likewise, the examples he offers to illustrate the concepts are taken from many different writers and outside sources. Interestingly, apart from the handful of images that appear on the title pages of major sections of the book, Internet Invention contains no images, despite the interplay between images and text being a major focus in the book and the concept of electracy itself.
Ulmer's prose is complex, and the sheer number of specialized terms and prerequisite knowledge required to understand all of the concepts offered within make Internet Invention more accessible to those who have adequate knowledge of rhetoric and writing. The book is laid out in a way that makes it ideal for study in a class or for individual reading.
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Famous quotes containing the word style:
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
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