History
Founded in 1979 by Eugenio Barba, the ISTA has functioned as a laboratory of theatre in the spirit of Grotowski theater, though broader and more inclusive. ISTA researches the technical aspect of the performer's art (by empirical methods) to further our understanding of the fundamental principles which engender the performers' very particular being and energy. Talked of as her "presence" or "scenic life", this way of being is paradoxical. The 'daily' organic being, is transmuted through often rigorous execution of techniques (Techniques sharing a number of common features across a multitude of traditions) to come alive and new in the moment of performance once again, but at a higher level of energy.
The study of the common features of theatrical tradition in different cultures can facilitate the performance of the actor or actress.
Read more about this topic: International School Of Theatre Anthropology
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““And now this is the way in which the history of your former life has reached my ears!” As he said this he held out in his hand the fatal letter.”
—Anthony Trollope (1815–1882)
“I am ashamed to see what a shallow village tale our so-called History is. How many times must we say Rome, and Paris, and Constantinople! What does Rome know of rat and lizard? What are Olympiads and Consulates to these neighboring systems of being? Nay, what food or experience or succor have they for the Esquimaux seal-hunter, or the Kanaka in his canoe, for the fisherman, the stevedore, the porter?”
—Ralph Waldo Emerson (1803–1882)
“No one can understand Paris and its history who does not understand that its fierceness is the balance and justification of its frivolity. It is called a city of pleasure; but it may also very specially be called a city of pain. The crown of roses is also a crown of thorns. Its people are too prone to hurt others, but quite ready also to hurt themselves. They are martyrs for religion, they are martyrs for irreligion; they are even martyrs for immorality.”
—Gilbert Keith Chesterton (1874–1936)