Peak of The Movement
In a period lasting approximately between 1390 and 1420 there was a particularly close correspondence between works produced far apart in Europe. In the north the miniatures of the Très Riches Heures Limbourg brothers, in Italy the Adoration of the Magi of Lorenzo Monaco, and sculpture and miniatures in many countries show very stylised tall figures, the older men with imposingly long beards and swaying figures. Exotic clothes, based loosely on those of the contemporary Middle East or Byzantine Empire, are worn by figures in biblical scenes; many figures seem to be included just to show off these costumes. The number of figures in many standard religious scenes is greatly increased; the Magi have large retinues, and the Crucifixion often becomes a crowded event. This innovation was to survive the style itself.
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Statue of Moses, ca. 1390, Toruń, Poland
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Conrad von Soest, based in Dortmund Germany, Crucifixion, 1403
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The Meeting of the Magi from the Très Riches Heures by the Limbourg brothers, from the Northern Netherlands but working in France.
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Lorenzo Monaco, Adoration of the Magi, 1420–22
Read more about this topic: International Gothic
Famous quotes containing the words peak of the, the movement, peak of, peak and/or movement:
“You know, I often thought that the gangster and the artist are the same in the eyes of the masses. They’re admired and hero-worshipped but there is always present underlying desire to see them destroyed at the peak of their glory.”
—Stanley Kubrick (b. 1928)
“It was not till the middle of the second dance, when, from some pauses in the movement wherein they all seemed to look up, I fancied I could distinguish an elevation of spirit different from that which is the cause or the effect of simple jollity.—In a word, I thought I beheld Religion mixing in the dance.”
—Laurence Sterne (1713–1768)
“You know, I often thought that the gangster and the artist are the same in the eyes of the masses. They’re admired and hero-worshipped but there is always present underlying desire to see them destroyed at the peak of their glory.”
—Stanley Kubrick (b. 1928)
“Sleep shall neither night nor day
Hang upon his penthouse lid;
He shall live a man forbid;
Weary sev’n-nights, nine times nine,
Shall he dwindle, peak and pine;
Though his bark cannot be lost,
Yet it shall be tempest-tossed.”
—William Shakespeare (1564–1616)
“When delicate and feeling souls are separated, there is not a feature in the sky, not a movement of the elements, not an aspiration of the breeze, but hints some cause for a lover’s apprehension.”
—Richard Brinsley Sheridan (1751–1816)