Inter Cultura - 10+10: Contemporary Soviet and American Painters

10+10: Contemporary Soviet and American Painters

Starting in 1987, at the dawn of the glasnost era, InterCultura organized an exhibition titled "10 + 10: Contemporary Soviet and American Painters," the first exhibition of dissident or “non-official” art from the then-Soviet Union to be seen in US and Soviet museums. Following on this, in 1988 InterCultura negotiated the most extensive cultural exchange program ever signed between the then-Soviet Ministry of Culture and a private U.S. institution. Included was the most extensive exhibition presented in the US of the 19th century Russian group of painters called the Wanderers, titled "The Wanderers: Masters of 19th Century Russian Painting." The InterCultura US-Soviet exhibition exchange program survived the change from the Soviet Union to post-Soviet Russia, and the exchange concluded in 1993 with the most important exhibition of Medieval Russian art ever shown in the United States, a show of treasures from the Russian Museum in St. Petersburg titled "The Gates of Mystery,", which was also seen in the UK at the Victoria & Albert Museum.

Read more about this topic:  Inter Cultura

Famous quotes containing the words contemporary, soviet, american and/or painters:

    I have the strong impression that contemporary middle-class women do seem prone to feelings of inadequacy. We worry that we do not measure up to some undefined level, some mythical idealized female standard. When we see some women juggling with apparent ease, we suspect that we are grossly inadequate for our own obvious struggles.
    Faye J. Crosby (20th century)

    “Is there life on Mars?” “No, not there either.”
    —Russian saying popular in the Soviet period, trans. by Vladimir Ivanovich Shlyakov (1993)

    It is easy to see that, even in the freedom of early youth, an American girl never quite loses control of herself; she enjoys all permitted pleasures without losing her head about any of them, and her reason never lets the reins go, though it may often seem to let them flap.
    Alexis de Tocqueville (1805–1859)

    They ought to put out the eyes of painters as they do goldfinches in order that they can sing better.
    Pablo Picasso (1881–1973)