10+10: Contemporary Soviet and American Painters
Starting in 1987, at the dawn of the glasnost era, InterCultura organized an exhibition titled "10 + 10: Contemporary Soviet and American Painters," the first exhibition of dissident or “non-official” art from the then-Soviet Union to be seen in US and Soviet museums. Following on this, in 1988 InterCultura negotiated the most extensive cultural exchange program ever signed between the then-Soviet Ministry of Culture and a private U.S. institution. Included was the most extensive exhibition presented in the US of the 19th century Russian group of painters called the Wanderers, titled "The Wanderers: Masters of 19th Century Russian Painting." The InterCultura US-Soviet exhibition exchange program survived the change from the Soviet Union to post-Soviet Russia, and the exchange concluded in 1993 with the most important exhibition of Medieval Russian art ever shown in the United States, a show of treasures from the Russian Museum in St. Petersburg titled "The Gates of Mystery,", which was also seen in the UK at the Victoria & Albert Museum.
Read more about this topic: Inter Cultura
Famous quotes containing the words contemporary, soviet, american and/or painters:
“I have the strong impression that contemporary middle-class women do seem prone to feelings of inadequacy. We worry that we do not measure up to some undefined level, some mythical idealized female standard. When we see some women juggling with apparent ease, we suspect that we are grossly inadequate for our own obvious struggles.”
—Faye J. Crosby (20th century)
“If the Soviet Union let another political party come into existence, they would still be a one-party state, because everybody would join the other party.”
—Ronald Reagan (b. 1911)
“The heritage of the American Revolution is forgotten, and the American government, for better and for worse, has entered into the heritage of Europe as though it were its patrimonyunaware, alas, of the fact that Europes declining power was preceded and accompanied by political bankruptcy, the bankruptcy of the nation-state and its concept of sovereignty.”
—Hannah Arendt (19061975)
“... too many young painters of the day work for the crowd, and not for art. But, then, should not the painters of the day work for the education of the crowd?”
—M. E. W. Sherwood (18261903)