Origin
Institutional critique is a practice that emerged out of the developments of Minimalism and its concerns with the phenomenology of the viewer, as well as formalist art criticism and art history (e.g. Clement Greenberg and Michael Fried), conceptual art and its concerns with language, processes, and administrative society, and appropriation art and its concerns with consumption and identity. Institutional critique is often site-specific, and perhaps could be linked to the advent of the "earthwork" by minimalist artists such as Robert Smithson and Walter De Maria. Institutional critique is also often associated with the developments of structuralist and post-structuralist philosophy, critical theory and literary theory.
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