Content and Style
The books are written in third person limited omniscient mode, focusing on Rebus, with the point of view sometimes shifting to colleagues, petty criminals or suspects. The stories belong to the genre of police procedural detective fiction, with a hardboiled aspect that has led to them being dubbed 'Tartan Noir'.
All the novels involve murders, suspicious deaths or disappearances, with Rebus taking on the task of solving the mystery. The resulting investigation (or investigations) depict a stark, uncompromising picture of Scotland, characterised by corruption, poverty, and organised crime. Along the way, Rebus has to struggle with internal police politics, a struggle exacerbated by his tendency to bend the rules and ignore his superiors. He also has to deal with his own personal issues, which are often directly or indirectly related to the current investigation, risking further friction with his colleagues.
Rankin has won critical praise for his elaborate and inventive plots. In particular, the later books have multiple plotlines encompassing dozens of distinctive characters and locations. These span a broad spectrum of Scotland, including council estates, tenements, business districts, nightclubs, prisons, dying mining towns, secluded villages and desolate hillsides, as well as the better-known pubs and streets of Edinburgh. Some of these locations are fictional, although they may be based on real places. For example, the Pilmuir estate is a conflation of the two real Edinburgh locations Pilton and Muirhouse. Other locations, such as the Oxford Bar, Arden Street or St Leonards police station, are real. Frequent references to real places, or local politics firmly ground the Rebus series in the real world.
Another strong feature of the series is the continual linking between the books. This may be in reference to background, previous cases and storylines, or through the characters Rebus encounters, for example, the notorious Edinburgh crime lord 'Big Ger' Cafferty. However, Rankin does this in such a way that reading them in order, or a prior knowledge of the Rebus 'history' isn't required. Everything is explained in enough detail in order not to confuse new readers, but does not become repetitive for extensive readers of the series.
Read more about this topic: Inspector Rebus
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—Friedrich Nietzsche (1844–1900)
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