Television
The Inspector Morse novels were made into a TV series (also called Inspector Morse) for the British TV channel ITV. The series was made by Zenith Productions for Central (a company later acquired by Carlton) and comprises 33 two-hour episodes (100 minutes excluding commercials)—20 more episodes than there are novels—produced between 1987 and 2000. The last episode was adapted from the final novel, The Remorseful Day, in which as previously stated Morse dies.
A spin-off series, titled Lewis, started airing in 2006. The series is based on the television incarnation of Lewis.
In August 2011 it was announced that ITV was to film a prequel drama, Endeavour, with author Colin Dexter's participation. Portraying a young Morse in his university days and early career, English actor Shaun Evans plays the young Morse. The drama was broadcast on 2 January 2012 on ITV 1. Four new episodes have been commissioned.
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Famous quotes containing the word television:
“The television critic, whatever his pretensions, does not labour in the same vineyard as those he criticizes; his grapes are all sour.”
—Frederic Raphael (b. 1931)
“Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.”
—Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)
“In full view of his television audience, he preached a new religion—or a new form of Christianity—based on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.”
—New Yorker (April 23, 1990)