Plot
When 17-year-old Tanja is found murdered in the city of Tromsø, far up in the Norwegian Arctic, Kripos police officers Jonas Engström (Stellan Skarsgård) and Erik Vik (Sverre Anker Ousdal) are called in to investigate. Engström is a police inspector formerly with the Swedish Police Service who moved to Norway after being caught having sex with the main witness in one of his cases. Vik is nearing retirement age, and his memory is failing.
Engström devises a plan to lure the murderer back to the scene of the crime, but the stakeout is blown and the murder suspect flees into the fog. Events take a turn for the worse when the fugitive shoots one of the pursuing unarmed Norwegian police officers. Without telling his colleagues, however, Engström carries a gun from his days in the Swedish police, who routinely carry firearms. While shooting at what he believes to be the suspect, Engstrom accidentally kills Vik, who had mistakenly run right instead of left as ordered.
Engström initially tells the truth about the shooting, but realizes that everyone assumes that the fugitive shot Vik. He decides to conceal his culpability. When one of Engström's colleagues, Hilde Hagen (Gisken Armand), is assigned to investigate Vik's death, he becomes worried about ballistic fingerprinting and tampers with evidence to support his story. Haunted by guilt and unable to sleep with the midnight sun of the Arctic, Engström becomes increasingly unhinged and starts hallucinating about Vik. Things become even worse when he learns that Tanja's murderer saw him shoot Vik.
Engström learns from one of Tanja's friends that she has been seeing Jon Holt (Bjørn Floberg), a crime novelist. He correctly deduces that Holt killed Tanja, but Holt blackmails Engström with his knowledge of the Vik shooting. The two meet and decide to frame Tanja's boyfriend Eilert for her murder, with Engström later planting Holt's gun under Eilert's bed. However, Hagen is not convinced of Eilert's involvement, and when new evidence emerges, Engström knows that it's only a matter of time before Holt is arrested.
Engström tracks down Holt in the ruins at a waterfront and tries to talk with him. Holt suspects that Engström has come to kill him and holds him at gunpoint. He explains how he killed Tanja in a fit of rage when she rejected his advances. Holt tries to flee across a pier, but the rotten floorboards give way and he falls into the water below. He hits his head and drowns, while Engström looks on. When he rummages through Holt's nearby house, Engström finds Tanja's dress, which Holt removed before dumping the body. With Holt dead, and having found definitive proof that he was the murderer, the case is closed.
Just before he leaves town, Engström is visited by Hagen, who shows him a cartridge case found at the site where Vik was shot. She notes that it is a Norma case, which Engström confirms is a brand used by the Swedish police. Engström expects Hagen to arrest him, but she instead lets him off the hook and she leaves the cartridge case. However, when Engström is driving off, his face is weary, so are his eyes, suggesting that he didn't recover from the sleeping disorder.
Read more about this topic: Insomnia (1997 Film)
Famous quotes containing the word plot:
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
“The plot! The plot! What kind of plot could a poet possibly provide that is not surpassed by the thinking, feeling reader? Form alone is divine.”
—Franz Grillparzer (1791–1872)