Production
Shortly after the novel was published, author Cornelia Funke sent a copy of Inkheart along with a note to Brendan Fraser, explaining that he was her inspiration for the character of Mo.
"So I get this book. It shows up in the mail. 'Dear Brendan,' it's inscribed, 'Thank you for inspiring this character.' I can feel my leg getting pulled already. 'What? Where’s Ashton Kutcher?' 'I hope that you get a chance to read this aloud to your kids one day. Best wishes, Cornelia Funke.' I had no idea from a bar of soap who she was, so I Googled her. Wow, so much work, she’s prolific. I think part of the story is that a little girl who was bilingual, I think she was a Brit but she spoke German fluently, had discovered a copy of Tintenherz which she loved and read, and wrote to either it was Cornelia or the publisher and asked why isn’t this published in English? And I think Cornelia probably wanted to know the answer to that question too. So once it was, it just became a snowballing thing and then that really got her out there and led to the acclaim and popularity of her work."
It was this that motivated director Iain Softley and the casting department to consider Fraser first for the role in the film. Fraser told Softley that if it was determined that he was not right for the role, not to feel obligated to use him on the project. Softley was ultimately impressed with Fraser's performance and contracted him for the film.
Public auditions were held for the role of Meggie Folchart with the intention of casting an unknown actress, however the role eventually went to Eliza Bennett who had already worked extensively on television and film at the time.
Funke, was quoted as saying that "we had our second screening (summer 2007), which went well, and I really loved the movie, but they are still changing things, especially at the end."
Inkheart was filmed at Shepperton Studios near London, England and on location in Balestrino, Albenga, Entracque and Laigueglia, Italy, in 2006 and 2007.
| “ | lot of the things that we tried to do are more to do with optical illusion, the sleight of hand....It feels very organic and very real, and I actually think it makes the magic more effective. I think that there is a sort of discounting that goes on in the minds of an audience when they know that it's sort of a computer world or a digital world. It's like, 'Oh, they can do anything. They can press a button for however many weeks they need at a machine.' Whereas if you actually get the sense that it's something more like the craft of illusion, I think that it's more magical, actually. | ” |
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—Iain Softley, interviewed on the set |
Read more about this topic: Inkheart (film)
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
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“Every production of an artist should be the expression of an adventure of his soul.”
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