Infinite Monkey Theorem In Popular Culture
The infinite monkey theorem and its associated imagery is considered a popular and proverbial illustration of the mathematics of probability, widely known to the general public because of its transmission through popular culture rather than because of its transmission via the classroom.
However, this popularity as either presented to or taken in the public's mind often oversimplifies or confuses important aspects of the different scales of the concepts involved: infinity, probability, and time — all of these are in measures beyond average human experience and practical comprehension or comparison.
Read more about Infinite Monkey Theorem In Popular Culture: Popularity, Early History, Literature, Motion Pictures, Television and Radio, Video Games, Comics and Graphic Novels, Software and Internet Culture, Stand-up Comedy, Music
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“Like other secret lovers, many speak mockingly about popular culture to conceal their passion for it.”
—Mason Cooley (b. 1927)
“He that will consider the infinite power, wisdom, and goodness of the Creator of all things, will find reason to think it was not all laid out upon so inconsiderable, mean, and impotent a creature as he will find man to be; who, in all probability, is one of the lowest of all intellectual beings.”
—John Locke (1632–1704)
“You’re a woman who’s been getting nothing but dirty breaks. Well, we can clean and tighten your brakes, but you’ll have to stay in the garage all night.”
—S.J. Perelman, U.S. screenwriter, Arthur Sheekman, Will Johnstone, and Norman Z. McLeod. Groucho Marx, Monkey Business, a wisecrack made while trying to woo Lucille Briggs (Thelma Todd)
“To insure the adoration of a theorem for any length of time, faith is not enough, a police force is needed as well.”
—Albert Camus (1913–1960)
“The new sound-sphere is global. It ripples at great speed across languages, ideologies, frontiers and races.... The economics of this musical esperanto is staggering. Rock and pop breed concentric worlds of fashion, setting and life-style. Popular music has brought with it sociologies of private and public manner, of group solidarity. The politics of Eden come loud.”
—George Steiner (b. 1929)
“Our culture has become something that is completely and utterly in love with its parent. It’s become a notion of boredom that is bought and sold, where nothing will happen except that people will become more and more terrified of tomorrow, because the new continues to look old, and the old will always look cute.”
—Malcolm McLaren (b. 1946)