Infanta Margarita Teresa in a Pink Dress is a portrait of Margaret Theresa of Spain by the Spanish painter Diego Velázquez, though his identification as its author is not considered secure. It is now in the Prado Museum in Madrid.
It was generally considered to be the last work in his oeuvre, with the dress by Velázquez himself and the head (left unfinished on Velázquez's death) and the bottom of the curtains completed by his pupil Juan Bautista del Mazo. However, recent studies by experts suggest it may be entirely by Mazo.
Its subject was the royal most frequently portrayed by Velázquez, also appearing in his Las Meninas and Infanta Margarita Teresa in a Blue Dress. In the final years of his life he spent long periods producing portraits of her to send to the Austrian court for political reasons and in response to certain matrimonial arrangements made between the two courts. Infanta Margarita Teresa in a Blue Dress is still in Vienna, as are two 1652-53 portraits of her aged one or two, in a silver and pink dress. A replica of the latter, with variations, of the latter two is in the Liria Palace in Madrid, though this is attributed to another painter.
Read more about Infanta Margarita Teresa In A Pink Dress: History
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“Let us more and more insist on raising funds of love, of kindness, of understanding, of peace. Money will come if we seek first the Kingdom of Godthe rest will be given.”
—Mother Teresa (b. 1910)
“Its no go the picture palace, its no go the stadium,
Its no go the country cot with a pot of pink geraniums.
Its no go the Government grants, its no go the elections,
Sit on your arse for fifty years and hang your hat on a pension.”
—Louis MacNeice (19071963)
“I feel no more like a man now than I did in long skirts, unless it be that enjoying more freedom and cutting off the fetters is to be like a man. I suppose in that respect we are more mannish, for we know that in dress, as in all things else, we have been and are slaves, while man in dress and all things else is free.”
—Amelia Bloomer (18181894)