In the Beginning: The Bible Stories (手塚治虫の旧約聖書物語, Tezuka Osamu no Kyūyaku Seisho Monogatari?, lit. Osamu Tezuka's Old Testament Stories) is an anime television series based on The Bible's Hebrew Scriptures (Old Testament) created by Osamu Tezuka. The series was a coproduction between Nippon TV, Tezuka's Tezuka Productions, and Italy's government-owned broadcaster, Radiotelevisione Italiana (RAI). Although the series was in production during a period of several years in the late 1980s and early 1990s, it was not aired in Japan until 1997, on the satellite channel WOWOW. The series has also been aired on TV in the United States (on the Catholic-oriented Eternal Word Television Network), Italy, Spain and Germany.
In the Beginning marked the fourth time Bible stories formed the basis of a Japanese-animated television series, following the two Superbook series and The Flying House, which were made for Pat Robertson's Christian Broadcasting Network by Tatsunoko Production in the early 1980s.
In the Beginning features episodes devoted to most of the major Bible stories of the Old Testament, including the stories of the Creation, Cain and Abel, Noah's Ark, Abraham and Isaac, Joseph, Moses, David, and Solomon, with the final episode featuring the birth of Jesus Christ. As with the second Superbook series, some stories were stretched out over several episodes. Unlike Superbook and The Flying House, however, no contemporary characters from modern times were inserted into the stories, save for the series mascot and viewpoint character, Roco the fox (which his appearances were removed in the English dub) .
Tezuka's manga work frequently included religious themes, and because of his long-running manga Buddha, he is sometimes perceived as having been a devout Buddhist, but in fact, Tezuka was largely agnostic.
Read more about In The Beginning: The Bible Stories: Background, Episode List, Staff, Cast
Famous quotes containing the word stories:
“Television programming for children need not be saccharine or insipid in order to give to violence its proper balance in the scheme of things.... But as an endless diet for the sake of excitement and sensation in stories whose plots are vehicles for killing and torture and little more, it is not healthy for young children. Unfamiliar as yet with the full story of human response, they are being misled when they are offered perversion before they have fully learned what is sound.”
—Dorothy H. Cohen (20th century)