In or Out - Production

Production

This episode introduces Rebecca Romijn to the cast as a series regular. She took over the role of the masked woman, who is actually Daniel's brother, Alex Meade, who was supposedly dead. Alex, upon his sex change, changes her name to "Alexis". The episode also marks one of the few times that a post-operative transgender character has been a full-time regular, and the second in prime time, the other being The Education of Max Bickford. In an interview with TV Guide, Silvio Horta explained the reason behind this surprising twist involving Alexis: "While we were shooting the pilot," he explains, "I got to the point where Wilhelmina screws Daniel over, and I felt at the end it just needed something else. Something bigger. So I wrote a scene between her and a mysterious woman."

When Amanda placed a picture of herself on the "In" part on Wilhelmina's "In or Out" board, she placed it on the right of Marc. A couple of scenes later, when Wilhelmina was on the phone to "The Mystery Woman" she looks at the board. It can be seen from this camera angle that the picture of Amanda is back on the "Out" section, and the space next to Marc is no longer occupied by Amanda. Betty was already placed on "Out" on Wilhelmina's "In or Out" board, well before she came back to her job as Daniel Meade's assistant.

In this episode, Daniel sprays fake tan on himself to make him look like he's been away. When he returns to work he hugs Wilhelmina and makes orange hand marks on her back. Later on in the episode when Wilhelmina is in the closet with Christina the orange marks are gone from Wihemina's back however she is wearing the same white outfit!

The restaurant where Betty was "chip chick" was the El Coyote Restaurant on Beverly Blvd. near Hollywood, in Los Angeles.

The karaoke scene and the walk across the bridge featuring Betty and Daniel followed the same storyline setting as Betty la Fea, but the outcome was different in the original version. This scene was also documented in the first season DVD, where both America Ferrera and Eric Mabius are actually shooting on a green set that is later digitized to make it look like Brooklyn Bridge and the Manhattan skyline.

The props department created a newspaper for the character Amanda to read after Daniel and Betty's night out featuring the front-page headline "Man Brutally Attacked by Pigeons In Central Park : Lives To Tell Gruesome Tale".

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Famous quotes containing the word production:

    The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.
    Debbie Taylor (20th century)

    The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.
    François, Duc De La Rochefoucauld (1613–1680)

    ... if the production of any commodity necessitates the sacrifice of human life, society should do without that commodity, but it can not do without that life.
    Emma Goldman (1869–1940)