Form
The poem is not arranged exactly in the order in which it was written. The prologue, for example, is thought to have been one of the last things written. The earliest material is thought to be that which begins "Fair ship, that from the Italian shore | Saileth the placid ocean-plains" and imagines the return of Hallam's body from Italy. Critics believe, however, that the poem as a whole is meant to be chronological in terms of the progression of Tennyson's grief. The passage of time is marked by the three descriptions of Christmas at different points in the poem, and the poem ends with a description of the marriage of Tennyson's sister.
"In Memoriam" is written in four-line ABBA stanzas of iambic tetrameter, and such stanzas are now called In Memoriam Stanzas. Though not metrically unusual, given the length of the work, the meter creates a tonal effect which often divides readers - is it the natural sound of mourning and grief, or merely monotonous? The poem is divided into 133 cantos (including the prologue and epilogue), and in contrast to its constant and regulated metrical form, encompasses many different subjects: profound spiritual experiences, nostalgic reminiscence, philosophical speculation, Romantic fantasizing and even occasional verse. The death of Hallam, and Tennyson's attempts to cope with this, remain the strand that ties all these together.
Read more about this topic: In Memoriam A.H.H.
Famous quotes containing the word form:
“Who among us has not, in moments of ambition, dreamt of the miracle of a form of poetic prose, musical but without rhythm and rhyme, both supple and staccato enough to adapt itself to the lyrical movements of our souls, the undulating movements of our reveries, and the convulsive movements of our consciences? This obsessive ideal springs above all from frequent contact with enormous cities, from the junction of their innumerable connections.”
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A modern proverb along the lines of dont count your chickens before theyre hatched. This form of words has no precise origin, though both Bartletts Familiar Quotations (16th ed., 1992)
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