In Memoriam A.H.H. - Form

Form

The poem is not arranged exactly in the order in which it was written. The prologue, for example, is thought to have been one of the last things written. The earliest material is thought to be that which begins "Fair ship, that from the Italian shore | Saileth the placid ocean-plains" and imagines the return of Hallam's body from Italy. Critics believe, however, that the poem as a whole is meant to be chronological in terms of the progression of Tennyson's grief. The passage of time is marked by the three descriptions of Christmas at different points in the poem, and the poem ends with a description of the marriage of Tennyson's sister.

"In Memoriam" is written in four-line ABBA stanzas of iambic tetrameter, and such stanzas are now called In Memoriam Stanzas. Though not metrically unusual, given the length of the work, the meter creates a tonal effect which often divides readers - is it the natural sound of mourning and grief, or merely monotonous? The poem is divided into 133 cantos (including the prologue and epilogue), and in contrast to its constant and regulated metrical form, encompasses many different subjects: profound spiritual experiences, nostalgic reminiscence, philosophical speculation, Romantic fantasizing and even occasional verse. The death of Hallam, and Tennyson's attempts to cope with this, remain the strand that ties all these together.

Read more about this topic:  In Memoriam A.H.H.

Famous quotes containing the word form:

    As for the terms good and bad, they indicate no positive quality in things regarded in themselves, but are merely modes of thinking, or notions which we form from the comparison of things with one another. Thus one and the same thing can be at the same time good, bad, and indifferent. For instance music is good for him that is melancholy, bad for him who mourns; for him who is deaf, it is neither good nor bad.
    Baruch (Benedict)

    Freedom is the essence of this faith. It has for its object simply to make men good and wise. Its institutions then should be as flexible as the wants of men. That form out of which the life and suitableness have departed should be as worthless in its eyes as the dead leaves that are falling around us.
    Ralph Waldo Emerson (1803–1882)

    Thir dread commander: he above the rest
    In shape and gesture proudly eminent
    Stood like a Towr; his form had yet not lost
    All her Original brightness, nor appear’d
    Less than Arch Angel ruind, and th’ excess
    Of Glory obscur’d: As when the Sun new ris’n
    Looks through the Horizontal misty Air
    Shorn of his Beams, or from behind the Moon
    In dim Eclips disastrous twilight sheds
    On half the Nations, and with fear of change
    Perplexes Monarchs.
    John Milton (1608–1674)