In Fear and Faith - Musical Style and Structure

Musical Style and Structure

In Fear and Faith are essentially a post-hardcore band, but perform the genre with a tied-in influence of metal and electronica. The group is primarily influenced by alternative rock, emo, hardcore and heavy metal genres. Bands such as Circa Survive, At the Drive-In, Sick of It All, Sepultura and Pantera have been said to be their main influences. Music journalist, Andrew Leahy documented In Fear and Faith's sound as "a blend of furious instrumentation, electronic flourishes and screamo vocals" along with mentioning embracement of heavy metal while complimenting their hybrid sound of being the case why the group "were signed so quickly" and "wasted little time" doing so.

In Fear and Faith songs are usually - on average - three minutes in time length, but their larger and more-known songs such as "Live Love Die" and "The Taste of Regret" lead into four minutes of length. The main songwriters have primarily always been Ramin and Mehdi Nirromand, Tyler McElhaney and Scott Barnes. Bassist, McElhaney has commented on the band's guitar tunings stating that while the tunings on Your World on Fire and Voyage would be set to the same drop throughout, Imperial features different tunings on several different songs to add "depth" regardless of the difficulty of this for live performances.

Read more about this topic:  In Fear And Faith

Famous quotes containing the words musical, style and/or structure:

    Through man, and woman, and sea, and star,
    Saw the dance of nature forward far;
    Through worlds, and races, and terms, and times,
    Saw musical order, and pairing rhymes.
    Ralph Waldo Emerson (1803–1882)

    The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.
    John Fiske (b. 1939)

    For the structure that we raise,
    Time is with materials filled;
    Our to-days and yesterdays
    Are the blocks with which we build.
    Henry Wadsworth Longfellow (1809–1882)