Reception
The film attracted a mixed response from critics. The Tagesspiegel Daily wrote of the candy-coloured images and Riefenstahl's flowing blonde hair; "It's as if a pop artist on LSD painted it". Time Out magazine held a neutral view point, puzzled by the lack of commentary, as is characteristic of Riefenstahl films but was displeased by the Moroder-Walker score. Other critics compared the film to her famous 1938 film Olympia in that it reflects her ultimate pursuit of beauty. Contributing to the book 501 Directors, Dr. Ernest Mathijs, writer and film scholar cited the documentary as-
“ | A final example of her creative genius. | ” |
Read more about this topic: Impressionen Unter Wasser
Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, I hear you spoke here tonight. Oh, it was nothing, I replied modestly. Yes, the little old lady nodded, thats what I heard.”
—Gerald R. Ford (b. 1913)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“Satire is a sort of glass, wherein beholders do generally discover everybodys face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (16671745)