Plot
The film opens on Rachel (Piper Perabo) and Hector's (Matthew Goode) wedding day in North London, England. Rachel's bossy mother Tess (Celia Imrie) and dazed dad Ned (Anthony Head) are introduced. Luce, (Lena Headey) who manages a flower shop, is the wedding florist. She also makes fast friends with Rachel's younger sister Henrietta (nicknamed "H" because, according to Henrietta, her mother exclaimed "Jesus H. Christ!" upon discovering she was pregnant). However, as Rachel is walking up the aisle, her eyes meet Luce's and a connection is made.
Some time later, Luce is invited to dinner with Rachel, Heck, and Coop (Darren Boyd), Heck's best friend and a perennial bachelor. Rachel suggests they fix up Luce with Coop, until Luce mentions that she's a lesbian. Heck takes this news in stride and Coop is undeterred in his good-natured attempts to seduce Luce.
While Heck works long hours at his increasingly unsatisfying office job, he encourages Rachel to be friends with Luce. The two spend an evening together, visiting a football match and an arcade, which becomes the setting for a Dance Dance Revolution sequence. At the end of the night, Luce walks Rachel back to her flat. Their goodbye grows awkward from tension, then Rachel leans forward to kiss Luce, but withdraws at the last moment and leaves.
Over the next few days, Rachel continues to deny her growing attraction to Luce in an effort to remain loyal to Heck. For her part, Luce has no wish to break up a committed couple. Unable to deny what she is feeling, Rachel eventually confronts Luce directly at her flower shop. She tells Luce that a romance between them cannot happen, leaves, and abruptly returns seconds later to kiss Luce in the back of Luce's shop. Their foreplay gets interrupted by Heck, who has stopped by to pick up flowers for Rachel. He tells Luce that he has sensed the distance growing between him and Rachel and partially blames himself for not being there for her. Hearing this, Rachel runs off, later sorrowfully agreeing with Luce that they can't betray Heck. In the meantime, Heck reaches his breaking point at his job and finally quits. When he returns home drunk, Rachel rashly confesses all to him as he sleeps, but without saying who her love is. Heck, who was actually feigning sleep, later calls Coop for support. Coop angrily confronts Luce after figuring out it was her with whom Rachel fell in love. Luce decides that being near Rachel without being with her is too hard. She makes plans to go on an extended trip out of the country, leaving care of her shop to her mother.
When Rachel and Heck are celebrating her birthday at her parents', H tells them about Luce's trip. Heck notices Rachel's reaction to the news and figures out that it was Luce with whom Rachel fell in love. Heck does not want to be her second choice or to live a lie, so he leaves. Rachel then confesses to her parents that she is in love with a woman and, with their help, she tracks down Luce, who has already taken a taxi to the airport. Rachel gets stuck in traffic and tries to call Luce, who ignores her, and all seems lost. However, Rachel realizes Luce is in the same traffic jam and uses the lessons Luce taught her about yelling loudly to call to her. The two women reunite and kiss each other in the middle of a crowded London street.
In a post credits coda, we see the characters some time later. Heck is on a plane to an unknown destination, all set to write his travel book, when he discovers that a young woman (Angel Coulby) will sit next to him for the long flight. There is an obvious and immediate attraction, and nervous flirtation, between them. The scenes continue with H and her young boyfriend playing at a playground, Coop holding a baby, and Luce and Rachel enjoying each other's company.
Read more about this topic: Imagine Me & You
Famous quotes containing the word plot:
“There comes a time in every mans education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (18031882)
“The westward march has stopped, upon the final plains of the Pacific; and now the plot thickens ... with the change, the pause, the settlement, our people draw into closer groups, stand face to face, to know each other and be known.”
—Woodrow Wilson (18561924)
“Those blessed structures, plot and rhyme
why are they no help to me now
I want to make
something imagined, not recalled?”
—Robert Lowell (19171977)