Literature
Ilocano animistic past offers a rich background in folklore, mythology and superstition (see Religion in the Philippines). There are many stories of good and malevolent spirits and beings. Its creation mythology centers on the giants Aran and her husband Angngalo, and Namarsua (the Creator).
The epic story Biag ni Lam-ang (The Life of Lam-ang) is undoubtedly one of the few indigenous stories from the Philippines that survived colonialism, although much of it is now acculturated and shows many foreign elements in the retelling. It reflects values important to traditional Ilokano society; it is a hero’s journey steeped in courage, loyalty, pragmatism, honor, and ancestral and familial bonds.
Ilocano culture revolves around life rituals, festivities and oral history. These were celebrated in songs (kankanta), dances (sala), poems (daniw), riddles (burburtia), proverbs (pagsasao), literary verbal jousts called bucanegan (named after the writer Pedro Bucaneg, and is the equivalent of the Balagtasan of the Tagalogs) and epic stories.
Read more about this topic: Ilokano Language
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“If a nation’s literature declines, the nation atrophies and decays.”
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“Just as it is true that a stream cannot rise above its source, so it is true that a national literature cannot rise above the moral level of the social conditions of the people from whom it derives its inspiration.”
—James Connolly (1870–1916)
“But it is fit that the Past should be dark; though the darkness is not so much a quality of the past as of tradition. It is not a distance of time, but a distance of relation, which makes thus dusky its memorials. What is near to the heart of this generation is fair and bright still. Greece lies outspread fair and sunshiny in floods of light, for there is the sun and daylight in her literature and art. Homer does not allow us to forget that the sun shone,—nor Phidias, nor the Parthenon.”
—Henry David Thoreau (1817–1862)