Reception
Besides Japan, the anime has been distributed in France, Italy, Greece, Cyprus and countries in the Arabic peninsula. It has attained the status of cult classic in many of these regions, in part due to its extravagant characters and plot.
For Greek and Cypriot fans, a key element that adds to the show's notoriety is its poor dubbing. Translated from Japanese into Greek through English, the dub has many instances of awkward, word-for-word, or completely erroneous translation (such as referring to noodles as pasta, calling a baseball bat by the word for the mammal bat, or referring to a shuriken as a "knife".) The actors' performance is also sub par, featuring bad to non-existent lip-synching, the repeat of a phrase over the characteristically long-winded original Japanese, an actor dubbing two characters in the same scene using the same voice, and speaking in a monotone or a low voice while the animated character is shown yelling. Viewers generally feel that all this makes the dub hilarious rather than insufferable.
In the Arabic version two different actors provided the voice of Kabamaru himself, the first 10 episodes with one actor and the remaining ones with another.
In France, the dubbing was correct but the adaptation was quite unrefined and the show was only released on vhs.
Read more about this topic: Igano Kabamaru
Famous quotes containing the word reception:
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fallthe company they find already present there, on their admission into the house of thought.”
—Walter Pater (18391894)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (18581915)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)