If I Were King of The Forest

"If I Were King of the Forest" is a song from the 1939 film The Wizard of Oz, with music by Harold Arlen and lyrics by E.Y. Harburg.

The comic number is sung by the Cowardly Lion during the scene at the Emerald City, when the Lion, Dorothy (with Toto), Tin Man and Scarecrow are waiting to learn whether the Wizard will grant them an audience. Lahr employs a spoken interlude during the number, in which the rest of the group ask him how he would deal with other powerful animals if he were king, for example:

Supposin’ you met an elephant?
I'd wrap him up in cellophant!

The song contains the line "What makes the Hottentot so Hot?" a phrase that is now considered an offensive term for the Khoikhoi tribe of Africa. The term is not censored for broadcast or in reproductions, though, as it is accepted as an anachronism.

Two portions of the song were cut for reasons of time: a brief middle stanza in which the other characters echo the verse that preceded it and Lahr first proclaims himself "Monarch of all I survey" (a line repeated later in the song), and the final stanza which ended with the Lion proclaiming "If I...were...king!" (two versions were recorded: one where Lahr himself unsuccessfully tries to hit the high note on the final word, and instead does so in his character's trademark growl; the other has the final high note powerfully delivered by soprano Georgia Stark, who was paid $25 for her involvement). The complete version of the song can be heard on the deluxe 1995 soundtrack release from Rhino Records, along with the less extensive single-disc release.

The song has been used in several of the stage versions of The Wizard of Oz.

Famous quotes containing the words king and/or forest:

    I know I have the body of a weak and feeble woman, but I have the heart and stomach of a king, and of a king of England, too.
    Elizabeth I (1533–1603)

    The lakes are something which you are unprepared for; they lie up so high, exposed to the light, and the forest is diminished to a fine fringe on their edges, with here and there a blue mountain, like amethyst jewels set around some jewel of the first water,—so anterior, so superior, to all the changes that are to take place on their shores, even now civil and refined, and fair as they can ever be.
    Henry David Thoreau (1817–1862)