Plot
Melvin Van Peebles acts as the film's narrator, introducing the film's main characters. Yves Malmaison (Richard Fancy) is a world-famous French fashion designer, a flaming homosexual with a preference for red hair, he once experimented with an American woman, and thus he has a son, Sebastian (Ilan Mitchell-Smith). Chilly D (Mario Van Peebles) is a struggling rapper who has been stealing dresses made by Malmaison to redesign and give to his many girlfriends.
On the night of a big fashion show, Malmaison is poisoned, and Chilly D is chased by the same people who poisoned the fashion designer. Through a turn of events, the souls of both men wind up in Chilly D's body. Several days later, following Malmaison's funeral, he wakes up in a hospital to discover, to his shock, that he is no longer in his own body.
Stumbling the streets, confused, Yves as Chilly tries to piece together elements of his former life, with no such luck. Making things even more difficult is the fact that every time they are struck or hit, they switch between their two personalities, leading to confusion and disorientation for people they bump into.
Yves manages to convince his son Sebastian that it is him, and they try to find out who killed him, finding that drug smugglers are trying to take over the company. At the end of the film, Chilly D manages to have all of Malmaison's memories, but still be himself, and so he and Sebastian go into business together.
Read more about this topic: Identity Crisis (film)
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“Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
““The plot thickens,” he said, as I entered.”
—Sir Arthur Conan Doyle (1859–1930)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)