Works
Shaykh Ibrahim Ñas's many works include:
- Kāshif al-'ilbās ʿan Fayḍati l-Khatmi 'Abī l-ʿAbbās ("Lifting the confusion about the Fayḍa of the Seal Abū l-ʿAbbās "). Edited by Shaykh Tijānī ʿAlī Sīse. Ash-Sharīka ad-dawliyya li-ṭ-ṭibāʿa, Cairo, Egypt.
- Jawāhir ar-rasā'il ("Pearls of the letters"), a compendium of letters, fatwas, and other short communications by Ibrāhīm Ñas.
- As-sirr al-'akbar ("The greatest secret")*Countless anthologies of poems, which have been published in Ad-Dawāwīn as-Sitt ("the Six Anthologies"), Jāmiʿ Jawāmiʿ ad-Dawāwīn ("Collection of collections of Anthologies"), and Majmūʿ Riḥlāt ash-Shaykh 'Ibrāhīm ("The Compendium of Travels of Shaykh Ibrāhīm"). All of these were edited by his son Shaykh Muḥammad al-Ma'mūn Ibrāhīm Ñas.
- Kitāb at-taṣrīf ("The Book of Arabic morphology"), a book commonly used in Arabic schools throughout Senegal.
- Manāsik al-ḥajj al-mubārakah al-musammāt: tuḥfat 'ahl al-ḥādirah bi-mā yanfaʿ al-ḥājj siyyamā fī ṭ-ṭā'irah ("Rituals of the blessed pilgrimage, or: gems for city people to benefit the pilgrim, especially one traveling by airplane"). Edited by Shaykh Tijānī ʿAlī Sīse.
- A number of fatwas (legal opinions), including: Wajh at-taḥqīq fī kawn jāmiʿ medīna huwa l-ʿatīq ("Verification that the longstanding rule of the precondition of a mosque is a city"), concerning the circumstances in which a Friday mosque should be built; and Baḥth fī thubūt ru'yat al-hilāl ("Study on establishing the sighting of the new moon"), concerning when to end the month of Ramaḍān and its fast. In addition to his printed works, dozens of cassette tapes of Ibrāhīm Ñas are readily available in Senegal, including complete Tafsīr al-Qur'ān (interpretations of the Qur'an) in Wolof and Arabic, several recitations of the Mawlid an-nabawī (birth of Muhammad), also in Wolof and Arabic, and speeches on various religious and practical subjects in Wolof.
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Famous quotes containing the word works:
“I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.”
—George Bernard Shaw (1856–1950)
“We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
—Clive Bell (1881–1962)
“Now they express
All that’s content to wear a worn-out coat,
All actions done in patient hopelessness,
All that ignores the silences of death,
Thinking no further than the hand can hold,
All that grows old,
Yet works on uselessly with shortened breath.”
—Philip Larkin (1922–1986)