Major Theatre Credits
| Year | Title | Role | Director | Playwright | Theatre |
|---|---|---|---|---|---|
| 1972 | Bible One, Part I: The Genesis Mediaeval Mystery Plays: The Creation to Jacob |
Angels / Noah's son | Frank Dunlop | Frank Dunlop (adapter) |
Young Vic Theatre Company at the Edinburgh Festival Young Vic Theatre The Roundhouse |
| Joseph and the Amazing Technicolor Dreamcoat |
Gad | Frank Dunlop | Andrew Lloyd Webber Tim Rice |
Young Vic Theatre Company at the Edinburgh Festival Young Vic Theatre The Roundhouse |
|
| The Comedy of Errors | Police Officer / Singer | Frank Dunlop | Shakespeare | Young Vic Theatre Company at the Edinburgh Festival Young Vic Theatre |
|
| 1973 | Look Back in Anger | Jimmy Porter | Bernard Goss | John Osborne | Young Vic Theatre |
| Hobson's Choice | Freddy Beenstock | Bernard Goss | Harold Brighouse | Young Vic Theatre | |
| 1973–74 | Rosencrantz and Guildenstern Are Dead |
Hamlet Guildenstern |
Bernard Goss | Tom Stoppard | Young Vic Theatre |
| 1974 | Much Ado About Nothing | Claudio | Frank Dunlop | Shakespeare | Young Vic Theatre |
| 1974 | The Taming of the Shrew | Lucentio | Frank Dunlop | Shakespeare | Young Vic Theatre Company at the Brooklyn Academy of Music, New York |
| Scapino | Ottavio | Frank Dunlop | Molière Frank Dunlop |
||
| French Without Tears | Brian Curtis | Frank Dunlop | Terence Rattigan | ||
| 1974 | The School for Scandal | Moses | Robert Lang | Richard Brinsley Sheridan | Cambridge Theatre Company (touring) |
| 1974 | Six Characters in Search of an Author | Member of the Acting Company |
Richard Cottrell | Pirandello | Cambridge Theatre Company (touring) |
| 1974–75 | Hamlet | Hamlet | Richard Cottrell | Shakespeare | Cambridge Theatre Company (touring) |
| 1975–76 | Otherwise Engaged | Dave | Harold Pinter | Simon Gray | Oxford Playhouse Richmond Theatre Queen's Theatre |
| 1977 | Julius Caesar | Octavius | John Schlesinger | Shakespeare | National Theatre (Olivier Theatre) |
| Volpone | Peregrine | Peter Hall | Ben Jonson | ||
| The Hunchback of Notre Dame | Captain Phoebus | Michael Bogdanov | Ken Hill | National Theatre (Cottlesloe Theatre) | |
| 1978–1979 | The Tempest | Ariel | Clifford Williams | Shakespeare | Royal Shakespeare Company, Stratford-upon-Avon Aldwych Theatre, London |
| The Taming of the Shrew | Tranio | Michael Bogdanov | |||
| Love's Labour's Lost | Longaville | John Barton | |||
| 1978–1980 | Piaf | Man at rehearsal / Pierre |
Howard Davies | Pam Gems | The Other Place, Stratford-upon-Avon Gulbenkian Studio, Newcastle Warehouse Theatre, London Aldwych Theatre, London Wyndham's Theatre, London |
| 1979 | Once in a Lifetime | Lawrence Vail | Trevor Nunn | Moss Hart George Kaufman |
Royal Shakespeare Company at the Aldwych Theatre |
| The Innocent | Joe Maguire | Howard Davies | Tom McGrath | Warehouse Theatre | |
| 1982 | Guys and Dolls | Sky Masterson | Richard Eyre | Frank Loesser Abe Burrows Damon Runyon |
National Theatre (Olivier Theatre) |
| 1984–85 | Fool for Love | Eddie | Peter Gill | Sam Shepard | National Theatre (Cottlesloe Theatre) Lyric Theatre |
| 1985–86 | After Aida | Boito | Howard Davies | Julian Mitchell | Taliesin Theatre, Swansea Old Vic Theatre |
| 1986 | Cricket | Donald | Trevor Nunn | Andrew Lloyd Webber Tim Rice |
Windsor Castle |
| 1988 | Cat on a Hot Tin Roof | Brick | Howard Davies | Tennessee Williams | National Theatre (Lyttelton Theatre) |
| 1989 | Bent | Greta / George | Sean Mathias | Martin Sherman | Adelphi Theatre (benefit for Stonewall) |
| Hamlet | Hamlet | Richard Eyre | Shakespeare | National Theatre (Olivier Theatre) |
Read more about this topic: Ian Charleson
Famous quotes containing the words major and/or theatre:
“A major misunderstanding of child rearing has been the idea that meeting a childs needs is an end in itself, for the purpose of the childs mental health. Mothers have not understood that this is but one step in social development, the goal of which is to help a child begin to consider others. As a result, they often have not considered their children but have instead allowed their childrens reality to take precedence, out of a fear of damaging them emotionally.”
—Elaine Heffner (20th century)
“Mankinds common instinct for reality ... has always held the world to be essentially a theatre for heroism. In heroism, we feel, lifes supreme mystery is hidden. We tolerate no one who has no capacity whatever for it in any direction. On the other hand, no matter what a mans frailties otherwise may be, if he be willing to risk death, and still more if he suffer it heroically, in the service he has chosen, the fact consecrates him forever.”
—William James (18421910)