Career
Ballamy was born in Guildford, Surrey, and educated at George Abbot School, Guildford, from 1975 to 1980. He then studied Musical Instrument Technology from 1980-1982 at Merton College. He took piano lessons from age of 6 to 14.
He discovered saxophone in 1978 with three lessons and his first professional gig was in 1980. He played Ronnie Scotts as Iain Ballamy Quartet at age 20. He was a founding member of Loose Tubes in 1984. First recording with Billy Jenkins 1985 and first solo album, Balloon Man, 1988.
During his career he has performed or recorded with a wide range of top musicians including Gil Evans, Hermeto Pascoal, New York Composers Orchestra, Carla Bley, Dewey Redman, George Coleman, London Sinfonietta, Françios Jeanneau, Daniel Humair, Mike Gibbs, Randy Weston, Karnataka College of Percussion, Sax Assault, Jazz Train, Freebop, Nishat Khan, R.A.Ramamani, T.A.S. Mani, Clare Martin, Human Chain, Dr. L. Subramaniam, Tom Robinson, Charlie Watts Orchestra, Jeremy Stacey, Randy Weston, Joanna MacGregor, Delightful Precipice, Bill Bruford, Django Bates, Mark Wingfield, Jane Chapman, Bryan Ferry, Everything But The Girl, Food, Food for Quartet, Loose Tubes, Oxcentrics, Ian Shaw, Slim Gaillard, Ultramarine, Ashley Slater, Hungry Ants, Ronnie Scott, Gordon Beck, Britten Sinfonia, and Gay Dad.
In 1999, Ballamy founded the record label Feral Records in partnership with graphic artist and filmmaker Dave McKean.
In 2005 he composed the musical score for the movie MirrorMask. He will also compose the score for Luna, which is also directed by Dave Mckean.
Ballamy is an agony uncle for Jazz UK Magazine with his column "In the Saxophonists Chair".
Read more about this topic: Iain Ballamy
Famous quotes containing the word career:
“Ive been in the twilight of my career longer than most people have had their career.”
—Martina Navratilova (b. 1956)
“Never hug and kiss your children! Mother love may make your childrens infancy unhappy and prevent them from pursuing a career or getting married! Thats total hogwash, of course. But it shows on extreme example of what state-of-the-art scientific parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)
“Clearly, society has a tremendous stake in insisting on a womans natural fitness for the career of mother: the alternatives are all too expensive.”
—Ann Oakley (b. 1944)