Music Video
"I Think I'm In Love with You" was the first of Simpson's videos to have a solid plot line. The video was directed by Nigel Dick. The video starts out with Jessica and her girlfriends, including her sister, Ashlee running into a group of exhausted factory workers unloading furniture from a truck. The workers, exhausted from their unloading, and in need of some female company, gladly join Simpson and her girlfriends in an impromptu dance on the streets. After some dancing, the girls decide to leave, and the news is not well received by the men. The girls decide to leave anyway, disappointing the factory workers, who pursue the girls in their truck. As Simpson seems to be in a festive mood, she seems unworried by their stalking, and continues to sing the song while wearing sunglasses and sitting in a dangerous position in her friend's car as they drive quickly on the highway. After once again cheating death and a quick stop at the end of the highway, Simpson and the others reach their destination: the amusement park. The factory workers following the girls reach the park too, and dance with the girls and enjoy amusement park rides with them. As the day carries on, it is soon time for Simpson and her girlfriends to leave, and once again they abandon the factory workers. The workers seem a bit peeved by the girls ditching them yet again, but they do not pursue the girls any further. The video is also inter cut with scenes of Simpson in front of a giant heart, probably to correlate with the song's theme or something.
The video's TRL world premiere debut was on June 1, 2000 at number 10. The video peaked at number 5 and stayed on the countdown for 25 days, making it her first successful video on MTV TRL.
Read more about this topic: I Think I'm In Love With You
Famous quotes containing the words music and/or video:
“Noble and wise men once believed in the music of the spheres: noble and wise men still continue to believe in the “moral significance of existence.” But one day even this sphere-music will no longer be audible to them! They will wake up and take note that their ears were dreaming.”
—Friedrich Nietzsche (1844–1900)
“These people figured video was the Lord’s preferred means of communicating, the screen itself a kind of perpetually burning bush. “He’s in the de-tails,” Sublett had said once. “You gotta watch for Him close.””
—William Gibson (b. 1948)