Cover Art and Title
The album title is Cockney rhyming slang for "I should think so". The front cover of the album is a painting based on three separate photos of Coombes, Goffey, and Quinn. The portraits of Coombes and Goffey were taken by Quinn in the summer of 1994 when he was experimenting with a macro lens. The photo of Quinn was taken that same year by a friend, while they were on tour in Wolverhampton. The painting was then created by the Moody Painters who were based on Oxford's Cowley Road. The white band at the top was inspired by an old Donovan record that Quinn owned and is an homage to old 1950s and 1960s records, with the stereo-mono signs. The photo on the back of the album was taken at a club in London about five minutes after they came off stage. The photo consists of two separate shots grafted together because Quinn was "pulling a disgusting face in the original". All of these elements were then put together by Nick Bax of The Designers Republic to create the finished sleeve. The Bonus 7" featured a more kaleidoscope-style front cover.
Read more about this topic: I Should Coco
Famous quotes containing the words cover, art and/or title:
“Every man alone is sincere. At the entrance of a second person, hypocrisy begins. We parry and fend the approach of our fellow-man by compliments, by gossip, by amusements, by affairs. We cover up our thought from him under a hundred folds.”
—Ralph Waldo Emerson (1803–1882)
“I prithee, daughter, do not make me mad.
I will not trouble thee, my child; farewell:
We’ll no more meet, no more see one another.
But yet thou art my flesh, my blood, my daughter—
Or rather a disease that’s in my flesh,
Which I must needs call mine.”
—William Shakespeare (1564–1616)
“Et in Arcadia ego.
[I too am in Arcadia.]”
—Anonymous, Anonymous.
Tomb inscription, appearing in classical paintings by Guercino and Poussin, among others. The words probably mean that even the most ideal earthly lives are mortal. Arcadia, a mountainous region in the central Peloponnese, Greece, was the rustic abode of Pan, depicted in literature and art as a land of innocence and ease, and was the title of Sir Philip Sidney’s pastoral romance (1590)