Composition
The song was a Lennon and McCartney collaboration based on McCartney's initial idea. Originally titled "Seventeen", the song was apparently conceived by McCartney while driving home from a Beatles' concert in Southport, Lancashire and later completed at his Forthlin Road home with Lennon. McCartney later described in Beat Instrumental how he went about the song's composition: "Here’s one example of a bit I pinched from someone: I used the bass riff from 'Talkin’ About You' by Chuck Berry in 'I Saw Her Standing There'. I played exactly the same notes as he did and it fitted our number perfectly. Even now, when I tell people, I find few of them believe me; therefore, I maintain that a bass riff hasn’t got to be original". The lyrics were written on a Liverpool Institute exercise book. Remember, a book by McCartney's brother Mike McCartney, includes a photograph of Lennon and McCartney writing the song while strumming guitars and reading the exercise book. It was typical of how Lennon and McCartney would work in partnership, as McCartney later commented: "I had 'She was just seventeen,' and then 'never been a beauty queen'. When I showed it to John, he screamed with laughter, and said 'You're joking about that line, aren't you?'" "It was one of the first times he ever went 'What? Must change that...'" The songwriting credit on the Please Please Me liner notes is "McCartney–Lennon" which differs from the more familiar "Lennon–McCartney" that appears on subsequent releases.
Read more about this topic: I Saw Him Standing There
Famous quotes containing the word composition:
“Every thing in his composition was little; and he had all the weaknesses of a little mind, without any of the virtues, or even the vices, of a great one.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (16941773)
“At painful times, when composition is impossible and reading is not enough, grammars and dictionaries are excellent for distraction.”
—Elizabeth Barrett Browning (18061861)
“Since body and soul are radically different from one another and belong to different worlds, the destruction of the body cannot mean the destruction of the soul, any more than a musical composition can be destroyed when the instrument is destroyed.”
—Oscar Cullman. Immortality of the Soul or Resurrection of the Dead? The Witness of the New Testament, ch. 1, Epworth Press (1958)