Composition
The song was a Lennon and McCartney collaboration based on McCartney's initial idea. Originally titled "Seventeen", the song was apparently conceived by McCartney while driving home from a Beatles' concert in Southport, Lancashire and later completed at his Forthlin Road home with Lennon. McCartney later described in Beat Instrumental how he went about the song's composition: "Here’s one example of a bit I pinched from someone: I used the bass riff from 'Talkin’ About You' by Chuck Berry in 'I Saw Her Standing There'. I played exactly the same notes as he did and it fitted our number perfectly. Even now, when I tell people, I find few of them believe me; therefore, I maintain that a bass riff hasn’t got to be original". The lyrics were written on a Liverpool Institute exercise book. Remember, a book by McCartney's brother Mike McCartney, includes a photograph of Lennon and McCartney writing the song while strumming guitars and reading the exercise book. It was typical of how Lennon and McCartney would work in partnership, as McCartney later commented: "I had 'She was just seventeen,' and then 'never been a beauty queen'. When I showed it to John, he screamed with laughter, and said 'You're joking about that line, aren't you?'" "It was one of the first times he ever went 'What? Must change that...'" The songwriting credit on the Please Please Me liner notes is "McCartney–Lennon" which differs from the more familiar "Lennon–McCartney" that appears on subsequent releases.
Read more about this topic: I Saw Her Standing There
Famous quotes containing the word composition:
“If I don’t write to empty my mind, I go mad. As to that regular, uninterrupted love of writing ... I do not understand it. I feel it as a torture, which I must get rid of, but never as a pleasure. On the contrary, I think composition a great pain.”
—George Gordon Noel Byron (1788–1824)
“Pushkin’s composition is first of all and above all a phenomenon of style, and it is from this flowered rim that I have surveyed its seep of Arcadian country, the serpentine gleam of its imported brooks, the miniature blizzards imprisoned in round crystal, and the many-hued levels of literary parody blending in the melting distance.”
—Vladimir Nabokov (1899–1977)
“The composition of a tragedy requires testicles.”
—Voltaire [François Marie Arouet] (1694–1778)