Television and Filmography
| Year | Title | Role | Notes |
|---|---|---|---|
| 1985 | Krush Groove | Himself | |
| 1986 | Wildcats | Rapper | |
| 1991 | The Hard Way | Detective Billy, NYPD | |
| 1992 | Toys | Captain Patrick Zevo | |
| 1993 | The Adventures of Pete & Pete | Pete's Teacher | |
| 1995 | Out-of-Sync | Jason St. Julian | |
| 1995–1999 | In The House | Marion Hill | |
| 1997 | B*A*P*S | Himself | |
| 1998 | Caught Up | Roger | |
| 1998 | All That | Himself | |
| 1998 | Oz | Jiggy Walker | |
| 1998 | Woo | Darryl | |
| 1998 | Caught Up | Roger | |
| 1998 | Halloween H20: 20 Years Later | Ronald "Ronny" Jones | |
| 1999 | Deep Blue Sea | Sherman "Preacher" Dudley | His first movie with Samuel L. Jackson |
| 1999 | In Too Deep | Dwayne Keith "God" Gittens | |
| 1999 | Any Given Sunday | Julian "J-Man" Washington | |
| 2000 | Charlie's Angels | Mr. Jones | |
| 2001 | Kingdom Come | Ray Bud Slocumb | |
| 2002 | Rollerball | Marcus Ridley | |
| 2003 | Deliver Us from Eva | Raymond "Ray" Adams | |
| 2003 | S.W.A.T. | Officer Deacon "Deke" Kaye | Second movie with Samuel L. Jackson |
| 2004 | Mindhunters | Gabe Jensen | |
| 2005 | Edison | Officer Rafe Deed | |
| 2005 | Slow Burn | Luther Pinks | |
| 2005 | House | Clarence | |
| 2006 | Last Holiday | Sean Williams | |
| 2007 | The Man | Manny Baxter | |
| 2007 | 30 Rock | Ridikolus | |
| 2008 | The Deal | Bobby Mason | |
| 2009 | WWII in HD | Shelby Westbrook | Voice |
| 2009 | NCIS | Special Agent Sam Hanna | 2 episodes |
| 2009–present | NCIS: Los Angeles | Special Agent Sam Hanna | |
| 2009–2011 | The Electric Company | Himself | |
| 2011 | Sesame Street | Himself | |
| 2012 | Hawaii Five-0 | Special Agent Sam Hanna | Episode: "Pa Make Loa" |
| 2013 | Justice League | Himself |
Read more about this topic: I Need A Beat
Famous quotes containing the word television:
“Never before has a generation of parents faced such awesome competition with the mass media for their childrens attention. While parents tout the virtues of premarital virginity, drug-free living, nonviolent resolution of social conflict, or character over physical appearance, their values are daily challenged by television soaps, rock music lyrics, tabloid headlines, and movie scenes extolling the importance of physical appearance and conformity.”
—Marianne E. Neifert (20th century)
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