Production and Synthesis
Hydrogen cyanide forms in at least limited amounts from many combinations of hydrogen, carbon, and ammonia. Hydrogen cyanide is currently produced in great quantities by several processes, as well as being a recovered waste product from the manufacture of acrylonitrile. In the year 2000, 732,552 tons were produced in the US.
The most important process is the Andrussow oxidation invented by Leonid Andrussow at IG Farben in which methane and ammonia react in the presence of oxygen at about 1200 °C over a platinum catalyst:
- 2 CH4 + 2 NH3 + 3 O2 → 2 HCN + 6 H2O
The energy needed for the reaction is provided by the partial oxidation of methane and ammonia.
Of lesser importance is the Degussa process (BMA process) in which no oxygen is added and the energy must be transferred indirectly through the reactor wall:
- CH4 + NH3 → HCN + 3H2
This reaction is akin to steam reforming, the reaction of methane and water to give carbon monoxide and hydrogen.
In the Shawinigan Process, hydrocarbons, e.g. propane, are reacted with ammonia:
- C3H8 + 3 NH3 → 3 HCN + 7 H2
When heated strongly, formamide decomposes to hydrogen cyanide and water vapor:
- CH(O)NH2 → HCN + H2O
In the laboratory, small amounts of HCN are produced by the addition of acids to cyanide salts of alkali metals:
- H+ + NaCN → HCN + Na+
This reaction is sometimes the basis of accidental poisonings because the acid converts a nonvolatile cyanide salt into the gaseous HCN.
Read more about this topic: Hydrogen Cyanide
Famous quotes containing the words production and, production and/or synthesis:
“Production and consumption are the nipples of modern society. Thus suckled, humanity grows in strength and beauty; rising standard of living, all modern conveniences, distractions of all kinds, culture for all, the comfort of your dreams.”
—Raoul Vaneigem (b. 1934)
“In the production of the necessaries of life Nature is ready enough to assist man.”
—Henry David Thoreau (18171862)
“It is in this impossibility of attaining to a synthesis of the inner life and the outward that the inferiority of the biographer to the novelist lies. The biographer quite clearly sees Peel, say, seated on his bench while his opponents overwhelm him with perhaps undeserved censure. He sees him motionless, miserable, his head bent on his breast. He asks himself: What is he thinking? and he knows nothing.”
—Andre Maurois (18851967)