Mythology
In Greek mythology, Hyacinth was given various parentage, providing local links, as the son of Clio and Pierus, King of Macedon, or of king Oebalus of Sparta, or of king Amyclas, progenitor of the people of Amyclae, dwellers about Sparta. His cult at Amyclae, where his tomb was located, at the feet of Apollo's statue, dates from the Mycenaean era.
In the literary myth, Hyacinth was a beautiful boy and lover of the god Apollo, though he was also admired by West Wind, Zephyr. Apollo and Hyacinth took turns throwing the discus. Hyacinth ran to catch it to impress Apollo, was struck by the discus as it fell to the ground, and died. A twist in the tale makes the wind god Zephyrus responsible for the death of Hyacinth. His beauty caused a feud between Zephyrus and Apollo. Jealous that Hyacinth preferred the radiant archery god Apollo, Zephyrus blew Apollo's discus off course, so as to injure and kill Hyacinth. When he died, Apollo didn't allow Hades to claim the boy; rather, he made a flower, the hyacinth, from his spilled blood. According to Ovid's account, the tears of Apollo stained the newly formed flower's petals with the sign of his grief. The flower of the mythological Hyacinth has been identified with a number of plants other than the true hyacinth, such as the iris. According to a local Spartan version of the myth, Hyacinth and his sister Polyboea were taken to heaven by Aphrodite, Athena and Artemis.
Hyacinth was the tutelary deity of one of the principal Spartan festivals, the Hyacinthia, held every summer. The festival lasted three days, one day of mourning for the death of the divine hero Hyacinth, and the last two celebrating his rebirth as Apollo Hayakinthios, though the division of honours is a subject for scholarly controversy.
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Famous quotes containing the word mythology:
“Love, love, loveall the wretched cant of it, masking egotism, lust, masochism, fantasy under a mythology of sentimental postures, a welter of self-induced miseries and joys, blinding and masking the essential personalities in the frozen gestures of courtship, in the kissing and the dating and the desire, the compliments and the quarrels which vivify its barrenness.”
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