Television
Doing comedy on early television, he appeared on The Saturday Night Revue (1953–54), Tonight (1955) and NBC Comedy Hour (1956). He was a series regular as Mr. Romero on the Eve Arden sitcom Our Miss Brooks and also appeared in CBS's I Love Lucy and other 1950s comedies, having moving into directing at the end of that decade. He directed The Real McCoys, the Walter Brennan sitcom which was created and produced by Irving Pincus and aired on ABC and CBS from 1957 to 1963. Later, Averback shared directing duties with Richard Crenna on The Real McCoys. Crenna had also been a cast member with Averback on Our Miss Brooks.
Averback also directed for The Dick Powell Show (1961–63), The Man from U.N.C.L.E. (1964–68), The Flying Nun (1967–70), Columbo (1971), McCloud (1971), M*A*S*H (1972), Quark (1978), Matt Houston (1982–83), The Four Seasons (1984) and the miniseries Pearl (1978). For CBS, he produced Mrs. G. Goes to College (aka The Gertrude Berg Show) in the 1961-1962 season.
He co-produced the popular 1960s sitcom F Troop and supplied the voice over the loudspeaker heard on the television series M*A*S*H.
An often quoted live radio blooper in the early days was that a tongue-tied announcer tried to introduce him on a show sponsored by Eversharp razor blades. What came out was, "And here's Hy Aversharp for Everback! -- er, I mean, here's Hy Averback for Eversharp!"
Read more about this topic: Hy Averback
Famous quotes containing the word television:
“The technological landscape of the present day has enfranchised its own electorates—the inhabitants of marketing zones in the consumer goods society, television audiences and news magazine readerships... vote with money at the cash counter rather than with the ballot paper at the polling booth.”
—J.G. (James Graham)
“His [O.J. Simpson’s] supporters lined the freeway to cheer him on Friday and commentators talked about his tragedy. Did those people see the photographs of the crime scene and the great blackening pools of blood seeping into the sidewalk? Did battered women watch all this on television and realize more vividly than ever before that their lives were cheap and their pain inconsequential?”
—Anna Quindlen (b. 1952)