Hunter Museum of American Art

The Hunter Museum of American Art is an art museum in Chattanooga, Tennessee. The museum's collections include works representing the Hudson River School, 19th century genre painting, American Impressionism, the Ashcan School, early modernism, regionalism, and post World War II modern and contemporary art.

The museum is situated on an 80-foot bluff overlooking the Tennessee River and downtown Chattanooga. The building itself represents three distinct architectural stages: the original 1904 classical revival mansion designed by Abram Garfield which has housed the museum since its opening in 1952, a brutalist addition built in 1975, and a 2005 addition designed by Randall Stout which now serves as the entrance to the museum. With the 2005 expansion, the Hunter extended toward downtown. The Ruth S. and A. William Holmberg Pedestrian Bridge provides a pedestrian-friendly connection to the nearby Walnut Street Bridge and riverfront attractions. The glass bridge allows pedestrians to cross over Riverside Drive.

The Hunter Museum is named after George Hunter who inherited the Coca-Cola Bottling empire from his uncle Benjamin Thomas.

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    ...I have wanted to believe people could make their dreams come true ... that problems could be solved. However, this is a national illness. As Americans, we believe all problems can be solved, that all questions have answers.
    —Kristin Hunter (b. 1931)

    Always clung to by barnacles.
    Hawaiian saying no. 2661, ‘lelo No’Eau, collected, translated, and annotated by Mary Kawena Pukui, Bishop Museum Press, Hawaii (1983)

    Smoking ... is downright dangerous. Most people who smoke will eventually contract a fatal disease and die. But they don’t brag about it, do they? Most people who ski, play professional football or drive race cars, will not die—at least not in the act—and yet they are the ones with the glamorous images, the expensive equipment and the mythic proportions. Why this should be I cannot say, unless it is simply that the average American does not know a daredevil when he sees one.
    Fran Lebowitz (b. 1950)

    In the weakness of one kind of authority, and in the fluctuation of all, the officers of an army will remain for some time mutinous and full of faction, until some popular general, who understands the art of conciliating the soldiery, and who possesses the true spirit of command, shall draw the eyes of all men upon himself. Armies will obey him on his personal account. There is no other way of securing military obedience in this state of things.
    Edmund Burke (1729–1797)