The Hunter Museum of American Art is an art museum in Chattanooga, Tennessee. The museum's collections include works representing the Hudson River School, 19th century genre painting, American Impressionism, the Ashcan School, early modernism, regionalism, and post World War II modern and contemporary art.
The museum is situated on an 80-foot bluff overlooking the Tennessee River and downtown Chattanooga. The building itself represents three distinct architectural stages: the original 1904 classical revival mansion designed by Abram Garfield which has housed the museum since its opening in 1952, a brutalist addition built in 1975, and a 2005 addition designed by Randall Stout which now serves as the entrance to the museum. With the 2005 expansion, the Hunter extended toward downtown. The Ruth S. and A. William Holmberg Pedestrian Bridge provides a pedestrian-friendly connection to the nearby Walnut Street Bridge and riverfront attractions. The glass bridge allows pedestrians to cross over Riverside Drive.
The Hunter Museum is named after George Hunter who inherited the Coca-Cola Bottling empire from his uncle Benjamin Thomas.
Famous quotes containing the words hunter, museum, american and/or art:
“and the words never said,
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We sat in the car park till twenty to one
And now Im engaged to Miss Joan Hunter Dunn.”
—Sir John Betjeman (19061984)
“To look at and properly appreciate the British Museum is the work of a lifetime.”
—M. E. W. Sherwood (18261903)
“There is a constant in the average American imagination and taste, for which the past must be preserved and celebrated in full-scale authentic copy; a philosophy of immortality as duplication. It dominates the relation with the self, with the past, not infrequently with the present, always with History and, even, with the European tradition.”
—Umberto Eco (b. 1932)
“American thinking, when it concerns itself with beautiful letters as when it concerns itself with religious dogma or political theory, is extraordinarily timid and superficial ... [I]t evades the genuinely serious problems of art and life as if they were stringently taboo ... [T]he outward virtues it undoubtedly shows are always the virtues, not of profundity, not of courage, not of originality, but merely those of an emasculated and often very trashy dilettantism.”
—H.L. (Henry Lewis)