Human After All - Reception

Reception

When the album was leaked on the Internet several months before release, fans speculated that it was a fake designed to foil online filesharing. Reviews noted that the album's tracks were overly repetitive and of primitive quality. Critics also felt that, despite the re-affirmation of humanity suggested in its title, the album remained overtly mechanical. One review in Stylus Magazine stated, "it's the same story, track after track, willfully mistaking alternation for variation, intensification for development and dynamics. In other words, a shining example of pop songcraft in the 21st century."

The Alive 2006/2007 tour, which featured tracks from Human After All, caused people to reconsider what they felt about the album. Pedro Winter, Daft Punk's manager at the time, stated, "When we put out Human After All, I got a lot of bad feedback, like, 'It's so repetitive. There's nothing new. Daft Punk used to be good.' Then they came back with the light show, and everyone shut their mouths... People even apologized, like, 'How could we have misjudged Daft Punk?' The live show changed everything. Even if I'm part of it, I like to step back and admire it. Me, I cried."

The first single "Robot Rock" received moderate attention, reaching #32 in the UK and #15 on the U.S. dance charts, but was not a major hit. The second single "Technologic" only hit #40 in the UK but did considerably better in airplay. The track has also been featured on The O.C. and in an iPod commercial. A sample of the track has also been used as the chorus for Busta Rhymes' single "Touch It".

Human After All was nominated for the 2006 Grammy Award for Best Electronic/Dance Album.

Read more about this topic:  Human After All

Famous quotes containing the word reception:

    To aim to convert a man by miracles is a profanation of the soul. A true conversion, a true Christ, is now, as always, to be made by the reception of beautiful sentiments.
    Ralph Waldo Emerson (1803–1882)

    To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.
    Lewis H. Lapham (b. 1935)

    But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.
    Walter Pater (1839–1894)