Earlier Characters Called "The Hulk"
Prior to the debut of the Hulk in May 1962, Marvel had earlier monster characters that used the name "Hulk", but had no direct relation.
- Debuting in June 1960, in Strange Tales #75, was a huge robot built by Albert Poole called The Hulk, which was actually armor that Poole would wear (in modern day reprints the character's name was changed to Grutan)
- First appearing, in November 1960, in Journey Into Mystery #62 was Xemnu the Living Hulk, a huge furry alien monster. The character reappeared in March 1961 in issue #66. Since then the character has been a mainstay in the Marvel Universe, and was renamed Xemnu the Titan.
- From a monster movie called The Hulk, was a huge orange slimy monster, which debuted in July 1961 in Tales to Astonish #21 (in modern-day reprints, the character's name was changed to the Glop)
Read more about this topic: Hulk (comics)
Famous quotes containing the words earlier, characters, called and/or hulk:
“In old persons, when thus fully expressed, we often observe a fair, plump, perennial waxen complexion, which indicates that all the ferment of earlier days has subsided into serenity of thought and behavior.”
—Ralph Waldo Emerson (1803–1882)
“There are characters which are continually creating collisions and nodes for themselves in dramas which nobody is prepared to act with them. Their susceptibilities will clash against objects that remain innocently quiet.”
—George Eliot [Mary Ann (or Marian)
“But then in what way are things called good? They do not seem to be like the things that only chance to have the same name. Are goods one then by being derived from one good or by all contributing to one good, or are they rather one by analogy? Certainly as sight is in the body, so is reason in the soul, and so on in other cases.”
—Aristotle (384–322 B.C.)
“To anybody who can hold the Present at its worth without being inappreciative of the Past, it may be forgiven, if to such an one the solitary old hulk at Portsmouth, Nelson’s Victory, seems to float there, not alone as the decaying monument of a fame incorruptible, but also as a poetic approach, softened by its picturesqueness, to the Monitors and yet mightier hulls of the European ironclads.”
—Herman Melville (1819–1891)