Hugh Paddick - Theatre

Theatre

  • Noah (1937) Embassy School of Acting
  • There's Always Tomorrow (1949) New Wimbledon Theatre
  • The Thunderbolt (1952) Liverpool Playhouse
  • The Two Bouquets (1953) St Martin's Theatre
  • The Boy Friend (1953) Embassy Theatre, (1954) Wyndham's Theatre
  • The Impressario From Smyrna (1954) Arts Theatre
  • For Amusement Only (1956) Apollo Theatre
  • She Smiled At Me (1956) Connaught Theatre
  • For Adults Only (1958) various theatres
  • My Fair Lady (1959–1961) Theatre Royal, Drury Lane
  • See You Inside (1963) Duchess Theatre
  • Let's Get A Divorce! (1966–1967) Mermaid Theatre
  • The Madwoman of Chaillot (1967) Oxford Playhouse
  • They Don't Grow on Trees (1968) Prince of Wales Theatre
  • When We Are Married (1971) Strand Theatre
  • Cinderella (1974) Casino Theatre
  • Play by Play (1975) The King's Head Theatre, Islington
  • Beauty and the Beast (1975) Oxford Playhouse
  • Some of My Best Friends are Husbands (1976) Mermaid Theatre, (1983) Watford Palace
  • Out on a Limb (1976) Vaudeville Theatre
  • Volpone (1977) Royal National Theatre
  • Half Life (1977–1978) Duke of York's Theatre
  • Gigi (1980) Haymarket Theatre (Leicester)
  • Soldier's Fortune (1981) Lyric Hammersmith
  • Venice Preserv'd (1984) Lyttelton Theatre
  • Wild Honey (1984) Lyttelton Theatre
  • Noises Off (1985) Savoy Theatre

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Famous quotes containing the word theatre:

    Mankind’s common instinct for reality ... has always held the world to be essentially a theatre for heroism. In heroism, we feel, life’s supreme mystery is hidden. We tolerate no one who has no capacity whatever for it in any direction. On the other hand, no matter what a man’s frailties otherwise may be, if he be willing to risk death, and still more if he suffer it heroically, in the service he has chosen, the fact consecrates him forever.
    William James (1842–1910)

    The poem of the mind in the act of finding
    What will suffice. It has not always had
    To find: the scene was set; it repeated what
    Was in the script.
    Then the theatre was changed
    To something else. Its past was a souvenir.
    Wallace Stevens (1879–1955)

    To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air: the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.
    Eleonora Duse (1858–1924)