Works
Schonfield was one of the original Dead Sea Scrolls team.
Schonfield wrote over 40 books including commercially successful books in the fields of history and biography as well as religion. In 1958 his non-ecclesiastical historical translation of the New Testament was published in the UK and the US, titled The Authentic New Testament. This aimed to show without idealised interpretation the meaning intended by the writers while maintaining the original structures. A revised version appeared in 1985 titled The Original New Testament. In 1965 he published the controversial The Passover Plot, a book whose thesis is that the Crucifixion was part of a larger, conscious attempt by Jesus to fulfill the Messianic expectations rampant in his time, and that the plan went unexpectedly wrong.
Schonfield followed The Passover Plot with a sequel in 1968, Those Incredible Christians. This was also described as controversial, but had less impact than the earlier book.
An additional aspect of his work was the revision of the Hebrew writing system. In The New Hebrew Typography, published in 1932, he argued for a revised version of the Hebrew alphabet modeled after the Latin alphabet, including a capital-lowercase distinction, no final forms, a vertical emphasis, and serifs. This alphabet has not been adopted.
Read more about this topic: Hugh J. Schonfield
Famous quotes containing the word works:
“Now they express
All that’s content to wear a worn-out coat,
All actions done in patient hopelessness,
All that ignores the silences of death,
Thinking no further than the hand can hold,
All that grows old,
Yet works on uselessly with shortened breath.”
—Philip Larkin (1922–1986)
“Night and Day ‘ve been tampered with,
Every quality and pith
Surcharged and sultry with a power
That works its will on age and hour.”
—Ralph Waldo Emerson (1803–1882)
“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
—Jane Jacobs (b. 1916)