Hugh Grant
Hugh John Mungo Grant (born 9 September 1960) is an English actor and film producer. He has received a Golden Globe Award, a BAFTA, and an Honorary César. His films have earned more than $2.4 billion from 25 theatrical releases worldwide. Grant achieved international stardom after appearing in Richard Curtis's sleeper hit Four Weddings and a Funeral (1994). He used this breakthrough role as a frequent cinematic persona during the 1990s, delivering comic performances in mainstream films like Mickey Blue Eyes (1999) and Notting Hill (1999). By the turn of the 21st century, he had established himself as a leading man skilled with a satirical comic talent. Since the 2000s, Grant has expanded his oeuvre with critically acclaimed turns as a cad in Bridget Jones's Diary (2001), About A Boy (2002), Love Actually (2003), and American Dreamz (2006). He later played against type with multiple cameo roles in the epic drama film Cloud Atlas (2012).
Within the film industry, Grant is cited as an anti-film star who approaches his roles like a character actor, and attempts to make his acting appear spontaneous. Hallmarks of his comic skills include a nonchalant touch of irony/sarcasm and studied physical mannerisms as well as his precisely-timed dialogue delivery and facial expressions. The entertainment media's coverage of Grant's life off the big screen has often overshadowed his work as a thespian. He has been vocal about his disrespect for the profession of acting, and in his disdain towards the culture of celebrity and hostility towards the media. In a career spanning 30 years, Grant has repeatedly claimed that acting is not a true calling but just a job he fell into.
Read more about Hugh Grant: Early Life and Ancestry, Career, Work Ethic, In The Media, Personal Life, Charity Work
Famous quotes containing the words hugh and/or grant:
“There one that ruffled in a manly pose
For all his timid heart, there that slow man,
That meditative man, John Synge, and those
Impetuous men, Shawe-Taylor and Hugh Lane,
Found pride established in humility,
A scene well set and excellent company.”
—William Butler Yeats (1865–1939)
“The rebel, unlike the revolutionary, does not attempt to undermine the social order as a whole. The rebel attacks the tyrant; the revolutionary attacks tyranny. I grant that there are rebels who regard all governments as tyrannical; nonetheless, it is abuses that they condemn, not power itself. Revolutionaries, on the other hand, are convinced that the evil does not lie in the excesses of the constituted order but in order itself. The difference, it seems to me, is considerable.”
—Octavio Paz (b. 1914)