Death and Literary Model
While on his deathbed, Duggan was visited by his friend Evelyn Waugh (Duggan was god-father to Waugh's daughter Margaret). On 12 October Duggan told Waugh that he was thinking of returning to the Catholic faith from which had been estranged since his youth, but was reluctant to repent of his life with Phyllis de Janzé because it would be to betray her.
The next day Waugh brought a Priest, Father Devas of Farm Street Chapel, to see Duggan. Duggan's sister Marcella Rice did not want the priest to go in to see him, but Waugh insisted and Duggan was given absolution, replying "Thank you, father". Later that day Waugh and Devas returned with the offer to anoint Duggan; Duggan was reluctant but eventually crossed himself to indicate his acceptance and after receiving the ceremony told Waugh "When I became a Catholic it was not through fear". Waugh later transposed this scene into his novel Brideshead Revisited.
Duggan's "demeanor at school–though not in later life" was the model for Charles Stringham in Anthony Powell's series of novels "A Dance to the Music of Time".
Read more about this topic: Hubert Duggan
Famous quotes containing the words death and, death, literary and/or model:
“Death and the sun are two things we cannot look on with a steady eye.”
—François, Duc De La Rochefoucauld (16131680)
“Now they heap the funeral pyre,
And the torch of death they light;
Ah! tis hard to die by fire!”
—William Makepeace Thackeray (18111863)
“Poetry seems to have been eliminated as a literary genre, and installed instead, as a kind of spiritual aerobic exercisenobody need read it, but anybody can do it.”
—Marilyn Hacker (b. 1942)
“I had a wonderful job. I worked for a big model agency in Manhattan.... When I got on the subway to go to work, it was like traveling into another world. Oh, the shops were beautiful, we had Bergdorfs, Bendels, Bonwits, DePinna. The women wore hats and gloves. Another world. At home, it was cooking, cleaning, taking care of the kids, going to PTA, Girl Scouts. But when I got into the office, everything was different, I was different.”
—Estelle Shuster (b. c. 1923)