Film Adaptation
In 2004 an animated film was released, directed by Hayao Miyazaki and produced by Studio Ghibli. The film broke box office records in Japan, and was nominated for an Academy Award for Best Animated Feature.
Previously in 1994 a rumour circulated the press that the novel was apparently being considered for a short film adaptation intended for television only. Both Helena Bonham Carter and Kate Winslet reportedly being tipped for the role of Sophie Hatter. Whereas the less obvious choice of Brett Anderson (singer/songwriter in the indie band Suede) rumoured as playing the role of wizard Howl. It was argued that a more creditable choice, such as Johnny Depp would be more suitable, but as the film was to be a British, low-budget production this was not possible. Anderson's popularity in both Britain and Japan made him a favourable contender, coupled with his suave looks and style. Sources close to him, however, claim he was reluctant as he insists his acting skills are limited and has even been quoted as saying "why is it assumed that musicians can make good actors" and stated that having to `act` in his own music promo videos caused him embarrassment. Eventually the project was shelved due to having to shorten the story and concerns for the special effects that would be required. It was felt that the resources available at the time would not be worthy of the original novel and not do it justice.
Read more about this topic: Howl's Moving Castle
Famous quotes containing the words film and/or adaptation:
“The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”
—Raymond Chandler (1888–1959)
“In youth the human body drew me and was the object of my secret and natural dreams. But body after body has taken away from me that sensual phosphorescence which my youth delighted in. Within me is no disturbing interplay now, but only the steady currents of adaptation and of sympathy.”
—Haniel Long (1888–1956)