Style
Hodgkin's paintings often seek to convey memories of encounters with friends and frequently carry titles alluding to specific places and events such as Dinner at West Hill (1966) and Goodbye to the Bay of Naples (1980–82). Hodgkin himself has said that he paints "representational pictures of emotional situations," a statement that fixes him firmly as an advocate of the expressionist movement. Hodgkin's appeal to representationalism prevents his categorization as an abstract expressionist - although some artists within that movement do execute representational paintings. As a formidable expressionist, Hodgkin occupies a lonely space somewhere between the incandescent impressions of Turner; the powerful emotional explosiveness of Van Gogh and the colder abstractions of Pollock, De Kooning and the late canvases of Kline.
Despite their apparent spontaneity and usually small scale, many of Hodgkin's paintings take years to complete, with the artist returning to a work after a wait and then changing it or adding to it. He often paints over the frames of his pictures, emphasising the idea of the painting as an object. Several of his works are on wooden items, such as bread-boards or the tops of old tables, rather than canvas. A number of his works not shown in frames are surrounded by rectangles of simple colour.
His prints are hand-painted etchings and he has worked with the same master printer (Jack Shirreff at 107 Workshop) and print publisher (Alan Cristea Gallery) for the last 25 years.
Read more about this topic: Howard Hodgkin
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